Learn Photo Editing

Learn Photo Editing

This online course gives professional advice and instructions for how to photoshop pictures for any purpose that you could need them for. If you need to retouch your portraits, this gives you the tools to edit the image so that your model is sure to be happy with the results. If you need to create cartoon characters, you can learn how to do that in a very short amount of time. You can even learn the more advanced skills, like how to make facial features stand out in the picture without having to retouch the photo. You can learn how to take your normal photos and turn them into glossy, high resolution advertisements. Whatever skills you want to learn, and whatever application your photos will be needed in, this course can give you the tools that you need in order to create the most beautiful photoshoot that you've ever done. Continue reading...

Learn Photo Editing Overview


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It is pricier than all the other ebooks out there, but it is produced by a true expert and includes a bundle of useful tools.

All the modules inside this ebook are very detailed and explanatory, there is nothing as comprehensive as this guide.

About designing Web pages with Photoshop and Image Ready

When designing Web pages using Adobe Photoshop and Adobe ImageReady, keep in mind the tools and features that are available in each application. Photoshop provides tools for creating and manipulating static images for use on the Web. You can divide an image into slices, add links and HTML text, optimize the slices, and save the image as a Web page. ImageReady provides many of the same image-editing tools as Photoshop. In addition, it includes tools and palettes for advanced Web processing and creating dynamic Web images like animations and rollovers. You can integrate your Web production process by opening Photoshop files directly in Adobe GoLive. Slices, URLs, and other Web features in Photoshop files are accessible in GoLive for management and editing. You can also open Photoshop files in GoLive as page templates. Page templates display as a shaded preview and provide a visual guide for building a Web page in GoLive. For more information on using GoLive, see the Adobe GoLive User...

Start Photoshop (Windows)

Point to All Programs, then click Adobe Photoshop CS2, as shown in Figure 1 if the Scratch volume dialog box opens, click OK, then click No. TIP The Adobe Photoshop CS2 program might be found in the Start menu (the left edge below your name), or in the Adobe folder, which is in the Program Files folder on the hard drive (Win).

Opening Photoshop files as animations

You can easily create animated GIFs from existing one-layer-per-frame images in Adobe Photoshop file format or from a group of single-layer images. You can make each layer in a multilayer Photoshop file a separate frame in the Animation palette. The layers are placed in the Animation palette in their stacking order, with the bottom layer becoming the first frame. You can also import a folder of files and use each file as a frame in ImageReady. Files can be in any format that ImageReady supports. Each file becomes a frame in the Animation palette. The files are placed in the Animation palette in alphabetical order by image filename.

Jumping to Image Ready

Jumping between the applications lets you use the full feature sets of both applications when preparing graphics for the Web or other purposes, yet still maintain a streamlined workflow. 1 In the Photoshop toolbox, click the Jump To ImageReady button ( nv ). The 01Start.psd file opens in ImageReady. You can jump between Photoshop and ImageReady to transfer an image between the two applications for editing, without closing or exiting the originating application. In addition, you can jump from ImageReady to other graphics-editing applications and HTML-editing applications installed on your system. For more information on jumping to other applications in ImageReady, see Photoshop 7.0 online Help. 2 In ImageReady, click the Jump To Photoshop button ( -) in the toolbox to return to Photoshop, or choose File > Jump To > Adobe Photoshop 7.0. Each time an image in Photoshop or ImageReady is updated with changes made in a jumped-to application, a single...

Making Photoshop Color Settings

In addition to making monitor calibration part of your color management workflow, it's equally as important to make sure the Photoshop color settings are correct for the type of images you normally process. If you work with photographs that are meant for a variety of output methods, you need the custom color settings in Photoshop. You don't want to expend a lot of energy shooting photos only to have them turn out wrong when you output your images to print or screen. Managing color properly can save you the hassle by getting your colors right so make color settings the very first stop in your image-editing workflow.

Using Photoshop's toning toots

You have a couple more ways to work with tonality in Photoshop the toning tools. These two brush-using tools let you paint corrections on your image, giving you incredible control over the appearance. Select the Burn tool to darken or the Dodge tool to lighten. Select a brush tip in the Options bar and drag the tool in your image to apply the correction. (Read about controlling the brush-using tools and that incredibly-complex Brushes palette in Chapter 14.) In Figure 5-19, you see the Burn tool darkening a specific area of the fence on the right.

Streamlining Your Work in Photoshop

Taking advantage of Photoshop's built-in automation commands Working with Actions Using prerecorded scripts J lot of the work that you do in Photoshop is fun experimenting with filters, applying creative adjustments, cloning over former in-laws, that sort of thing. A bunch of your work, though, is likely to be repetitive, mundane, and even downright boring. That's where automation comes in. If a task isn't fun to do, if you need to speed things up, or if you need to ensure that the exact same steps are taken time after time, automation is for you. I open the chapter with a look at some of Photoshop's major automation features commands that help you quickly and easily create presentations and contact sheets. Next, I show you a couple of production-oriented commands that let you print multiple images on a single sheet of paper (and we know how much money that can save ) and how to save time by scanning multiple images in a single pass and then automatically separating them into...

Editing in Elements or Photoshop

Here are the steps for launching either Photoshop Elements or Photoshop Choose EditOEdit with (your designated image editor). The name that appears in the menu depends on whether you chose Elements or Photoshop as your editor in the Preferences dialog box (as described in Specifying an External Image Editor in Album earlier in this chapter). 4. Edit the photo in either Elements or Photoshop. You can easily jump to an external image editor from the Fix Photo dialog box. You can easily jump to an external image editor from the Fix Photo dialog box. Album locks your image while you edit it in an external image editor. Album locks your image while you edit it in an external image editor. Although you can jump to Image Ready from Photoshop, you can't use Image Ready on an image you opened from Album. 5. Choose FileOSave and close the photo in your image editor. In either Elements or Photoshop, you also can choose the FileO Save As command and rename the edited photo (for example filename_...

Drag and Drop Graphics from Photoshop into Other Programs

Whereas the previous tip discussed dragging and dropping files into Photoshop, this one discusses the opposite dragging and dropping files from Photoshop into other programs. In particular, I find it quite useful to drag and drop print graphics from Photoshop right into Adobe InDesign. Although you still want to save a copy in a print-ready format such as TIFF or EPS, you can save some time by dragging it into InDesign instead of closing the file in Photoshop and then reopening it in the other program. InDesign treats elements that are dropped into its page layouts as links that can be easily updated. TRY IT To drag and drop content from Photoshop into another program, such as InDesign, first create or open the file in the other program to give yourself a place in which to drop the Photoshop image. Minimize or shrink that program's document window so you can see both it and your Photoshop file at the same time. (Minimize or shrink the Photoshop window too if needed.) Once you can see...

Other things you can do with Photoshop

Although Photoshop is not a page layout or illustration program, you certainly can produce simple brochures, posters, greeting cards, and the like using only Photoshop. (See Figure 1-4.) One of the features that sets Photoshop apart from basic image editors is its powerful type engine, which can add, edit, format, and stylize text as capably as many word processing programs. Photoshop even has a spell check feature not bad for a program that's designed to work with photos, eh Figure 1-4 You can use Photoshop to create cards, posters, and brochures. Figure 1-4 You can use Photoshop to create cards, posters, and brochures. Photoshop CS2 takes yet another giant step toward filling in for InDesign or Illustrator with the introduction of Smart Objects. Smart Objects can be created in Photoshop through the Layers palette or pasted into your artwork from Illustrator. A Smart Object is a designer's dream. You add the Smart Object to your project then, you can edit the original file and have...

What Major Photoshop Features Import?

Final Cut Pro lets you import multilayered Photoshop files. It is possible to import any version of Photoshop files, but only those features that work in Photoshop 3.0 features are supported. Supported features include opacity, composite modes, layer order, and layer name. The following properties transfer correctly from Photoshop When importing a multilayered Photoshop document, Final Cut Pro creates a new sequence. All of the layers of the Photoshop file are composited together. The sequence uses a frame size identical to the imported file's frame size.

Use the Open Command to Bring an Existing Bitmap File into Photoshop

When you want to open an existing digital file in Photoshop, you have to first consider the file's format. Photoshop and ImageReady are capable of opening the file formats listed in Table 3-4. Photoshop ImageReady Photoshop (.psd, .pdd) Photoshop EPS (.eps) Photoshop DCS 1.0 (.eps) Photoshop DCS 2.0 (.eps) Photoshop PDF (.pdf, .pdp) Table 3-4 File Formats Supported by Photoshop and ImageReady Table 3-4 File Formats Supported by Photoshop and ImageReady

Starting Photoshop and Creating a File

The way that you start Photoshop depends on the computer platform you are using. However, when you start Photoshop in either platform, the computer displays a splash screen, a window that displays information about the software, and then the Photoshop window opens. After you start Photoshop, you can create a file from scratch. You use the New dialog box to create a file. You can also use the New dialog box to set the size of the image you're about to create by typing dimensions in the Width and Height text boxes. in Photoshop Photoshop Photoshop Encapsulated Photoshop PDF

Drag and Drop Graphics from Other Programs into Photoshop

Programs created by Adobe are usually quite compatible with each other. For example, suppose you created type on a curve in Adobe Illustrator and wanted to use it in your Photoshop imaging. (Photoshop, as of yet, does not allow you to create type on a curve without a plug-in see Creating Text Along a Path in Chapter 9.) The easiest way to get this or any vector path drawn in Illustrator into your Photoshop file is to drag and drop it. TRY IT To drag and drop content from another program, such as Illustrator, into Photoshop, first select or highlight the content in the other program. Minimize or shrink that program's document window so you can see both it and your Photoshop file at the same time. (Minimize or shrink the Photoshop window too if needed.) Once you can see both files at the same time (or at least portions of both), return to the original program and click and drag the selected content from that window into your Photoshop document. In the case of Illustrator content, you'll...

Exploring Adobe Photoshop

Photoshop is used for an incredible range of projects, ranging from editing and correcting digital photos to preparing images for magazines and newspapers to creating graphics for the Web. You'll also find Photoshop in the foren-sics departments of law enforcement agencies, scientific labs and research facilities, and dental and medical offices, as well as in classrooms, offices, studios, and homes around the world. As the Help Desk Director for the National Association of Photoshop Professionals (NAPP), I solve problems and provide solutions for Photoshop users from every corner of the computer graphics field and from every corner of the world. People are doing some pretty amazing things with Photoshop, many of which are so far from the program's original roots that it boggles the mind

What Major Photoshop Features Import

Photoshop Layers are independently recognized by Combustion. Layers can be manipulated and modified individually or as a group. Photoshop Layers with visibility turned off will import into Combustion off and can be turned on by clicking the Layer icon in the Workspace. Photoshop Layer names are preserved on import. Photoshop Layer Blend Modes are compatible with Combustion Layer Transfer Modes and can be changed easily in Combustion. However, new (Photoshop 7) Layer Blend modes will import as Normal, these include Linear Burn, Linear Dodge, Vivid Light, Pin Light and Linear Light. Photoshop Layer Opacity imports perfectly and the full range of Opacity can be modified and animated in Combustion. The Advanced Blending Fill Opacity is not acknowledged. Photoshop Clipping Groups are imported seamlessly using Combustion's Stencil Layer option found in the Surface Controls. The Stencil Layer option is automatically set to Alpha.

The Photoshop Desktop

After the launch process is complete, the Photoshop desktop consumes the foreground. Figure 2-3 shows the Photoshop 6 desktop as it appears when an image is open and all palettes are visible. Figure 2-3 The Photoshop 6 desktop as it looks on a 17-inch screen. Figure 2-3 The Photoshop 6 desktop as it looks on a 17-inch screen. Many of the elements that make up the Photoshop desktop are well known to folks familiar with the Windows environment. For example, the menu bar provides access to menus and commands. You can drag the title bar to move the image window. And the scroll bars let you look at hidden portions of the image. Other potentially less familiar elements of the Photoshop desktop work as follows Image window Like any halfway decent product, Photoshop lets you open multiple images at a time. Each open image resides inside its own window. Status bar Just above the Windows taskbar sits Photoshop's status bar, which provides running commentary on the active tool and image. (If the...

Preparing an Image Ready workspace

Before you begin working on a new file, you'll jump from Photoshop to ImageReady and then define an ImageReady workspace for the tasks you'll do in this section. 1 In Photoshop, click the Jump To ImageReady button ( , ) at the bottom of the toolbox to switch from Photoshop to ImageReady. Note If you do not have enough memory to run both applications simultaneously, quit Photoshop and then start ImageReady. 2 In ImageReady, choose Window > Workspace > Reset Palette Locations to make sure that all palettes are in their default positions.

Use the Place Command to Import an Existing Vector File into Another File in Photoshop

Besides using the Open command to bring an existing vector file into Photoshop, you can also use the Place command. This command is more useful than the Open command in two distinct situations When you want to add an existing vector image to another file already open in Photoshop When you are unsure as to the ultimate size you'll use for the vector file in Photoshop jHY J To use the Place command to import an existing vector file into Photoshop, you must first have another file open in the program in which to place the file. Then, choose File I Place and locate the file from within the directory structure before clicking OK.

Using the Equalize command (Photoshop)

The Equalize command redistributes the brightness values of the pixels in an image so that they more evenly represent the entire range of brightness levels. When you apply this command, Photoshop finds the brightest and darkest values in the composite image and remaps them so that the brightest value represents white and the darkest value represents black. Photoshop then attempts to equalize the brightness that is, to distribute the intermediate pixel values evenly throughout the grayscale.

Print Files Directly from Photoshop

As Photoshop's text-handling capabilities increase, so do the number of people using it as a print-layout tool. When you do use Photoshop as a print-layout tool, you'll likely be printing directly from Photoshop, as opposed to the more traditional route of printing from a page-layout program such as Adobe InDesign or QuarkXPress. In cases like this, use Photoshop's Print With Preview command to specify print options before actually sending the file to your printer. TRY IT To print files directly from Photoshop, ensure the file is ready to be printed and choose File I Print With Preview to access the Print dialog box. At the bottom of that dialog box, select Show More Options to display a window similar to this one, where you can adjust the settings as needed. For Scaled Print Size, adjust the scale as needed, or select Scale To Fit Media to force Photoshop to scale the design up or down to fit the page size. Alternatively, select Show Bounding Box and then click and drag an edge or...

Viewing animated images in Photoshop

When you open a file containing an animation in Photoshop, only the frame that was selected when you saved the file in ImageReady is displayed. You cannot edit the animation frames separately, play the animation, or save the animation as an animated GIF. If you add a new layer to the file while in Photoshop, the layer is added to all frames of the animation. However, the new layer will only appear in the selected frame when you reopen the file in ImageReady. If you change the stacking order of layers while in Photoshop, the stacking order of layers will be changed when you reopen the file in ImageReady.

Photoshop Layers and After Effects

At the root of the partnership of After Effects and Photoshop is the ability to transfer Photoshop layers to separate comp layers in After Effects and then edit the original as desired without having to replace or reimport layers. What may be 20 static layers in Photoshop can become 20 moving layers in After Effects.

Photoshop's RAW Support

Photoshop CS now includes a Camera RAW plug-in (which was formerly an extra-cost option with Photoshop 7) that works quite well. It can be used only with the particular digital cameras that Adobe supports, typically from Nikon, Canon, or Konica Minolta and quite a few other vendors. In addition, Camera RAW supports the new Adobe Digital Negative (DNG) format. DNG is Adobe's attempt to create a common RAW format that can be used by all the different camera types. The list of supported cameras at the time this book was published is a long one, shown in Table 3.1 You can also expect that camera models introduced after Photoshop CS from the same vendors are also supported. For example, although the Canon EOS 350 XT and Konica Minolta A200 debuted after the original Photoshop CS, their RAW formats are similar to their predecessor models and are fully supported. You can find the latest updates that list compatible cameras at www.adobe.com.

Bringing Images into Photoshop

Artwork in Photoshop originates in one of three ways (as shown in Figure 4-1) Figure 4- 1 Open an image, scan an image, or create a new image to work in Photoshop. You can open an image into Photoshop with the FileOOpen command, through Adobe Bridge, or by double-clicking the image file. If you doubleclick a file and Photoshop doesn't launch or the wrong program launches, you need to associate the file format with Photoshop

Part III: Creating "Art" in Photoshop

The chapters in Part III take a walk on the creative side. Although not everyone wants to use Photoshop as a digital painting program, everyone should understand how to get around in the complex and daunting Brushes palette. Compositing images (making one picture from two or more), adding text (whether a simple copyright notice or an entire page), using paths, and adding layer styles are all valuable skills for just about all folks who work with Photoshop (even if they don't consider their work to be art).

First Look at Photoshop

These days, most computer applications speak a common graphical language, and Photoshop is no exception. It subscribes to the basic structure of on-screen nouns and verbs proposed and first spoken by the operating system. As a result, Photoshop may seem tolerably comprehensible the first time you meet it. Without any prior knowledge of its origins or behavior, you should be able to pick up a paintbrush and specify a color in a matter of a few seconds, simply based on the rudimentary vocabulary that you've picked up from other programs. After years of staring into cathode ray tubes, you can't help but get the picture. But Photoshop has its own special dialect, one that differs from every other program out there. The dialect is so distinct that it's only peripherally understood by other applications, including those from Adobe, the very siblings that Photoshop grew up with. Photoshop has its own way of turning a phrase, it speaks its words in a different order than you might expect, and...

Basic Photoshop knowledge

Creative Photoshop is not a beginner's guide, nor is it exclusively for experts. It falls into that mysterious category in-between often referred to as intermediate. The idea of what an intermediate user does or does not know will often vary depending upon whom you're talking to. I have written this book assuming that you, as the reader, know your way around Photoshop and understand the basics. I am assuming that you have an idea of what the tools do, what layers are, the difference between vectors and pixels, etc. Numerous functions and tools within Photoshop will be explored in depth, via the step-by-step instructions in the following chapters, however you'll need to know the basics to follow along with ease. For those of you who possess more ambition than Photoshop know-how, I can certainly relate. As a beginner, I would've picked up this book too. My advice to those who are just starting out, is to get familiar with the Photoshop Help menu. Any time you get stuck, you can do a...

Using the File Browser (Photoshop)

The Photoshop File Browser The Photoshop File Browser Displaying the File Browser Choose File > Browse or Window > File Browser. By default, the File Browser is displayed in the palette well. To display the File Browser in a separate window, choose Show in Separate Window from the palette menu. For more information on using palettes in the palette well, see Using the palette well (Photoshop) on page 26.

Painting in Photoshop

Or, perhaps, images of rollers and buckets, color being slopped on a wall and spread around. It doesn't generally bring to mind digital image editing. But painting certainly has a place in your arsenal of Photoshop skills, even if you never create an image from scratch. In addition to painting landscapes and portraits (which you certainly can do in Photoshop, if you have the talent and training), you use Photoshop's painting tools for a variety of other tasks. For example, you can paint to create masks and layer masks, adjust tonality or sharpness in specific areas, repair blemishes and other damage in an image even to create graphic elements and special effects. In this chapter, I concentrate on those editing-related painting skills rather than fine art painting. I introduce you to the basic concepts of painting in Photoshop and also walk you through the basic brush-related tools and the Brushes palette, concentrating on those features that you most...

^Create a New Print Design File in Photoshop

When you begin your work in Photoshop, usually you will have document dimensions already established (8.5x11 inches). You can set up your Photoshop document with these dimensions or estimate the approximate size of the graphic space you will be using within the document layout (for example, 3x5 inches). If you do not know how big to build your graphic, always build it larger than you need it. You can always reduce the size without losing digital quality. However, if you have built the file too small, the image will become pixelated and fuzzy if you attempt to increase the image dimensions. Adobe Photoshop 7.0 Info B Adobe Photoshop 7.0 Adobe Photoshop 7.0 Show Memory t Figure 2-9 The Memory Requirements options for Photoshop on the Mac O S I also recommend establishing a larger canvas size than your actual image size. A larger canvas gives you space to move things around and shove things off to the side, plus it gives you the added bonus of being able to see all the handles of a...

Import a File into Photoshop Using the Twain Interface

Most scanners come with a utility or plug-in that allows you to scan your images right into Photoshop. The utility or plug-in uses the industry-standard TWAIN interface to import the scan. Before you can scan an image, you must make sure the utility or plug-in is installed properly and is working with Photoshop. Consult the documentation that came with your scanner if you're unsure about how to install the software. If you can't find your documentation, check the company's web site for an updated plug-in (some companies may call the scanner plug-in a driver).

Specifying an External Image Editor in Album

If you have another digital-imaging application installed on your computer, you can jump to that application directly from Album to edit your images. But what if you're lucky enough to have more than one image editor installed on your system Well, you can instruct Album to choose one over the other by setting it as the default editor in the Preferences file. Here's how 3. If you have an Adobe image-editing program, choose either Photoshop Elements 2.0 or later or Photoshop 6.0 or later. If you have another image-editing program, you have two choices Default Application for File Type This option launches the image-editing program associated with the type of file you have selected. During the installation of programs like Elements and Photoshop, you have the option of associating the particular application with various file types. For example, if you are in Windows Explorer or at the desktop whenever you double-click a TIFF or JPEG, you can specify that Elements is launched. Similarly,...

Unravel the mysteries of the Photoshop Toolbar and its resident icons.They're not as scary as they l

Start up Photoshop and what do you see Well, besides the menu options along the top of the screen, you'll see a Toolbar that's chock-a-block with icons. You'll probably recognise some of these, such as the 'T' that designates the Type tool and the paintbrush icon that unlocks the various Brush tools. But do you really know what the rest of these icons mean Honestly The chances are that - like many Photoshop users across the world - you're only using a fraction of the program's full potential, but this second issue in the Photoshop Focus Guide series will change all that, helping you make the most of all the tools at your disposal. Even professional designers often admit to being hopeless with the Healing Brush and dodgy with the Dodge tool, but there's really no reason for any of the tools to be a mystery. This issue will help you get more from the Clone, Gradient, Paths and Effects tools, to name but a few. You'll find expert tips and advice for working more efficiently with each of...

Previewing outside Photoshop

In fact, provided you save the image in the * native Photoshop (.psd) format, you can peek at an image without even opening the program. Right-click a file with a .psd extension either at the desktop, in a folder window, or in Windows Explorer and choose Properties from the pop-up menu. When the Properties dialog box opens, click the Photoshop Image tab to look at your image, as shown in Figure 3-6. Again, you must have saved a thumbnail preview along with the image for this feature to work. You can also see a tiny thumbnail in the General panel of the Properties dialog box. This same thumbnail appears at the desktop level, assuming that the folder is set to View Large Icons. Using the other tabs in the Properties dialog box, you can view the caption, keywords, credits, and other information created using Photoshop's File File Info command (covered at the end of Chapter 2). Unfortunately, this trick works only for images saved in the native...

Editing in an application other than Elements or Photoshop

If you have an external image editor other than Elements or Photoshop, such as CorelPAINT, you can jump to that application from Album. All of the steps are identical except that when it comes to saving the file in the external image editor. Here are the steps to follow Choose EditOEdit with Editor (where Editor represents your designated image editor). The name that appears in the menu depends on what editor you chose in the Preferences dialog box (as described in Specifying an External Image Editor in Album earlier in this chapter). 5. Choose FileOSave in the external image editor.

Extracting objects from their background (Photoshop)

To extract an object, you use tools in the Extract dialog box. First you draw a highlight that marks the edges of the object, and define the object's interior. Then you can preview the extraction and redo it or touch up the result as needed. When you extract the object, Photoshop erases its background to transparency. Pixels on the edge of the object lose their color components derived from the background, so they can blend with a new background without producing a color halo. 9 You can add back opacity to the background and create other effects by using the Edit > Fade command after an extraction. (See Blending filter effects (Photoshop) on page 322.)

Chapter 3. Darkroom Techniques with Photoshop CS2

Fortunately, there's no need to throw the spectacular images out with the stopbath water. Photoshop includes a whole raft of features that let you re-create the most useful darkroom techniques quickly and repeatedly, without risk of wasting film, paper, or chemicals. You can even manipulate your digital negatives using your digital camera's RAW format. This chapter will show you some of the advanced darkroom techniques that you can put to work using Photoshop's awesome capabilities.

Capture Images Larger than You Plan to Use in Photoshop

Whenever you import an image into Photoshop, regardless of whether you captured it from a digital camera or a scanner, it's important to assign an accurate file resolution, as discussed in the section File Resolution earlier in this chapter. The reason is that it is very difficult to increase a file's resolution at a later date and retain the same quality. In order to have that image print well in your company's brochure, you'd need a file resolution that is ideally closer to 300 dpi. So at this point, you have two options rescan the image (as long as you still have it ) at a higher resolution, or attempt to resample the image in Photoshop. Resampling is discussed in the next tip, Adjust an Image's Resolution in Photoshop.

# Choose Fileo SaveoFormato Photoshop.

Save your panorama in Photoshop (.psd) format before you do anything else. Be sure to include the layers by checking the Layers check box. This particular panorama is a 62-x-8.5-inch, 300ppi, 136MB image. You will need 500MB of RAM and 2GB of Scratch Disk every bit of that to manipulate this image in Photoshop.

What Photoshop Features Import?

The first Alpha channel is properly understood on import. Do not save more than one alpha channel with your native .PSD file or it will be ignored. Feel free to use all of Photoshop's features. If your file contains, Layers, Layer Sets, Layer Styles, Blending Modes, Vector Type, or Vector Shapes, Vegas will properly interpret them on import. The .psd files will be opened with all visible layers flattened. Alpha channel will be retained and can be enabled (with several interpretation options) in the Vegas media properties dialog.

Why does the world need another Photoshop book?

As a Photoshop neophyte in the early 1990s, I was always hungry for resource materials. I would scour the local bookstores looking to be informed and inspired. What I noticed then was that Photoshop books, more or less, fell into one of two categories. What you hold in your hands is the book I always wanted. My aim is to inspire you as well as inform you. I have spent a great deal of time perfecting a variety of artistic styles and working practices in Photoshop. And I have also spent a great deal of time producing images that I hope will inspire you to learn. This book is for those of you who not only appreciate art, but also want to know in explicit detail, how to create it on your own. There seems to be an infinite amount of Photoshop books out there, and many of them are excellent. However, I still haven't found that perfect book that inspires as much as it instructs. After all these years I came to the conclusion that the book I was after didn't exist, so I decided to write it...

Recognizing nonprintable colors (Photoshop)

Some colors in the RGB, HSB, and Lab color models, such as neon colors, cannot be printed because they have no equivalents in the CMYK model. When you select a nonprintable color, an alert triangle appears in the Color Picker dialog box and in the Color palette. The closest CMYK equivalent is displayed below the triangle. (See Identifying out-of-gamut colors (Photoshop) on page 136.)

Determining a recommended resolution for an image (Photoshop)

If you plan to print your image using a halftone screen, the range of suitable image resolutions depends on the screen frequency of your output device. You can have Photoshop determine a recommended resolution for your image based on your device's screen frequency. (See About image size and resolution on page 62.)

Jumping to other applications (Image Ready)

In addition to jumping to current versions of Photoshop, you can jump to other graphics-editing applications and HTML-editing applications from within ImageReady. When you install ImageReady, Adobe graphics-editing and HTML-editing applications currently on your system are added to the Jump To submenu. You can add more applications, including non-Adobe applications, to the Jump To submenu. When you jump to a graphics-editing application, the original file is opened in the destination application. When you jump to an HTML editor, the optimized file and the HTML file are saved and opened in the destination application. If the image contains slices, all files for the full image are included. A preference enables files updated in another application to be automatically updated in ImageReady, when jumping back to ImageReady.

Controlling optimization (Image Ready)

By default, Photoshop and ImageReady automatically regenerate the optimized image when you click the Optimized, 2-Up, or 4-Up tab at the top of the document (if you have modified the image since the last optimization), when you change optimization settings with the optimized image displayed, or when you edit the original image. In ImageReady, you can turn off auto-regeneration so that the last version of the optimized image remains in the image window until you manually reoptimize the image or reactivate auto-regeneration. This feature is useful if you want to edit the image without pausing for reoptimization with each modification. You can also cancel optimization while it's in progress, and preserve the previous image.

Part IV: Power Photoshop

The two chapters in Part IV are more specialized than the rest of the book. If you don't work in a production environment (even cropping to the same dimensions regularly can count as production), you might not need to use Actions in Photoshop. But there's far more to Chapter 16 than just Actions and scripting It also shows you how you can create an onscreen presentation that anyone can view, automatically generate a single page with small thumbnail images of all your photos, and save paper by printing multiple images on a single sheet. Chapter 17 is a Web-only chapter. If you don't create graphics for the Web, you probably don't need to read it. However, if you skip it, you might never see how to create cool little animated movies.

Setting file saving options (Photoshop)

Thumbnail (Windows) Saves thumbnail data for the file. In order to select or deselect this option, you must choose Ask When Saving for the Image Previews option in the Preferences dialog box. For more information, see Setting preferences for saving files (Photoshop) on page 463.

Photoshop has several gadgets to help you work with various views of your document

The main interface in Photoshop is quite simple and well laid-out, but it has been constantly refined through development to offer highly efficient document and view management. Within the main menu is the View menu which has many view management options -the Zoom In and Out commands and their respective shortcuts, as well as commands to show the Rulers, Guides and Grids and the option to enable various kinds of snapping. As well as using the Navigator or Zoom tool you can use the shortcuts

Chapter 5. Compositing in Photoshop CS

Compositing was thrust into the public attention in a big way early in 2005, when a certain home economics tycoon was released from prison and Newsweek published a jubilant photo of her on the coverexcept that it was actually only Martha's head superimposed on a model's body. Photoshop had done it again Whether the photo is an Oprah Winfrey Ann-Margaret hybrid (TV Guide, August, 1989) or nudging two pyramids closer together (National Geographic, February, 1982), when compositing is deemed to mislead, it's often castigated and condemned.

Color Adjustments in Photoshop

Sometimes you have an image that needs some help in the color department. It might have been shot with an incorrect camera setting, it might have a color cast (an unwanted tint of a specific color), or it might just be dull and dingy. Photoshop provides you with an incredible array of commands and tools to make the colors in your images look just right. You'll hear the term color correction being tossed about, but not all images have incorrect color. Some have very good color that can be great color. Instead of color correction, I like to think in terms of color improvement. And just about every image can use a little tweaking to improve its color.

Part IV: Photoshop CS2 Image-Processing Workflows

All aspects of processing images in this book are presented in separate workflows that make up your overall image-processing activities. This part explains the workflows needed to process images in Photoshop after you've converted them in Camera Raw. Chapter 10 shows you workflows for correcting color and tone in Photoshop. Chapter 11 explains image editing as a workflow you know, removing red eye, blemishes, and miscellaneous unwanted parts of your image (use your imagination). Chapter 12 is dedicated toward preparing images for output by correctly sizing them, applying color profiles, and routing them through an efficient printing workflow.

Photoshop 7 Fundamentals

Doing more while doing it better and doing it quicker are the objectives of just about everyone using Photoshop. Photoshop is an extraordinarily powerful application with rich functionality and its complexity and versatility often work against achieving these objectives. The good news If you know all that is contained in these first six techniques, you'll be able to work efficiently and effectively, which will allow most of your mental resources to be applied to the creative use of Photoshop rather than figuring out how to get done what you want to do. Even if you are an experienced user of Photoshop, consider carefully reading these first six techniques as there are many practical tips that are invaluable to anyone interested in digital photo editing. You must become the master of your tools, or they can master you and frustration prevails This chapter is not short, but is an important one worth doing step-by-step, even for those that consider themselves to be Photoshop experts.

Loading Photos to Camera Raw and Photoshop

Some digital photographers like to load their photos into Photoshop the old-fashioned way by using the FileOOpen command in Photoshop. Many others, however, prefer the visual displays and search methods offered in Bridge. Bridge is so versatile, it can accommodate many personal preferences. To load photos into Photoshop using Bridge, follow these steps 3. Double-click the image you want to load in Photoshop or click the file, and then press Ctrl+O ( +O on a Mac). The image loads into a Photoshop image window. If you haven't already started Photoshop, it starts automatically and displays the selected image, ready to edit. There is no steadfast rule for how to browse and open images in Photoshop. It's totally up to personal preference. Play around with Bridge to find out the best way for you to browse and open images. Figure 6-11 shows another way of opening images in Bridge, which is to right-click the image thumbnail in Bridge and choose Open in Camera Raw.

Correcting Images in Photoshop as a Workflow

I've found that the more practice I got making adjustments in Camera Raw, the fewer corrections I had to make in Photoshop. Better still, accurately adjusting white balance, exposure, shadows, brightness, contrast, and color saturation in Camera Raw isn't destructive. Making those same adjustments in Photoshop can destroy valuable image data that might affect the quality of my images, especially if I print them larger than 8x10 inches. But we can still make the best of the images we have. Behold For fine-tuning images processed in Camera Raw or photos shot originally in JPEG or TIFF format (such as the one in Figure 4-10) I offer the Photoshop image-correction workflow (applause, please )

Skin Texturing with Photoshop CS2

After you've defined all the UVs for your character, it's worth your time to check out the mapping for each part with a test texture. Then after you've saved out the various templates, you can pull the templates into Photoshop and proceed to paint the various textures. Photoshop lets you place the template on a background layer, making it visible without painting on top of it. In this chapter, you will Load each template into Photoshop

Photoshop CS2 Keyboard Shortcuts

Table A.2 represents shortcuts in Photoshop that I use frequently. I recommend becoming proficient with these to make your work go quicker. If you want to map your own shortcuts in Photoshop, click Edit, Keyboard Shortcuts, and select the command you want to remap. Table A.2 My Frequently Used Photoshop Shortcuts Action Shortcut

Getting to Know Bridge, Camera Raw, and Photoshop

Adjusting images in Photoshop CS2 emember the days (just a few years ago ) when digital photography consisted of having fun shooting photos, transferring them to your computer, and enhancing them using Photoshop The choices were simple shoot in JPEG or TIFF format. JPEG format is pretty good, but TIFF was supposed to be better (even though the resulting image files were huge). Before long, we figured out that JPEG quality was pretty close to TIFF quality for the most part, shooting images in TIFF really didn't offer much advantage.

Getting around Photoshop CS2

Getting around Photoshop can seem a little intimidating at first, but after you get used to working with menus, palettes, and the Toolbox, you'll get comfortable pretty quickly. The trick is knowing what features are available and where to find them. So, by way of a little exploration, Figure 1-16 shows the Photoshop window and these essential areas Figure 1-16 The Photoshop CS2 window.

Creating Optimized Web Pages with Image Ready

You can reap marketing benefits for your project by making an interactive gallery with rollover effects. When it comes to displaying work online, Adobe ImageReady is the tool of choice for producing optimized graphics. ImageReady is Photoshop's sister product designed to produce web graphics at screen resolution (72 pixels inch). You used ImageReady briefly in Chapter 7 and will use more of its features in this section to create optimized web pages. The process begins by cutting a sample file into slices rectangular areas that divide an overall image into parts. You'll optimize each slice and then create rollovers using the slices, adjusted layers, and layer style effects. Rollovers control the web page's behavior when a visitor finally interacts with it in a web browser.

The Photoshop Book For Digital Photographers

Tut Photoshop Book rem digital photographed tram inclusion of brief quotations in a review Photoshop is a registered trade mat k of Adobe Systems. ln< . International Srandarct Hook Number G-71S7-16-0 Library of Collarets Catalog Card Number 3flOin9fi537 07 06 0 04 0 1 7 6 S A 2 I This book is designed to provide infunnsiittn about Photoshop (ot digital photographers. Every effort has been made to nuke this book as complete and as accurate as possible, but no warranty of fitness is implied.

Scitex CT (Photoshop)

Scitex Continuous Tone (CT) format is used for high-end image processing on Scitex computers. Contact Scitex to obtain utilities for transferring files saved in Scitex CT format to a Scitex system. Scitex CT format supports CMYK, RGB, and grayscale images and does not support alpha channels.

Saving actions (Image Ready)

All actions you create are saved in the ImageReady Actions folder in the Adobe ImageReady 7.0 Settings folder. ImageReady can only access actions that reside in this folder. You add actions to ImageReady by dragging actions into the ImageReady Actions folder on your computer. Because ImageReady does not include a Load Actions command, you must add files to the ImageReady Actions folder manually. Note The default location of the Adobe ImageReady 7.0 Settings folder varies by operating system. Use your operating system's Find command to locate this folder. You can remove actions from ImageReady by dragging the actions out of the ImageReady Actions folder or by using the Delete Action command in the Actions palette menu. Actions you remove by dragging can be saved in another folder. Actions you remove by deleting are removed permanently. If you add or remove files from the ImageReady Actions palette, you can direct ImageReady to scan the Actions folder for changes and update the Actions...

Using a droplet to automate optimization settings (Image Ready)

You can save Optimize palette settings for use on individual images or batches of images by creating a droplet, a small application that applies the optimization settings to an image or batch of images that you drag over the droplet icon. You can drag a droplet to the desktop or save it to a location on disk. When you create the droplet you can choose where the images will be saved. When you drag an image over it, the droplet launches ImageReady if the program is not currently running. Note You can also drag a droplet onto the ImageReady Actions palette to create an action step, or you can drag a droplet onto a slice to apply the optimization settings to the slice.

The Animation Palette in Image Ready

Most common animation techniques, such as moving and blending object and text layers in a sequence, are best left for video compositing tools such as Adobe After Effects. Still, there are many animation techniques that can be done quickly and easily with ImageReady and that require very little programming or timeline editing. These techniques are covered in detail throughout this book, and references will be made to the Animation palette. The Animation palette (Figure 1.4) is the heart of creating animations in ImageReady. It's a very intuitive layout for frame-by-frame animation sequences, with advanced features such as tweening and frame generation from layers. Getting familiar with the features and buttons on the palette will help speed up your animation process. Note You can find more information about tweening in the Animation palette later in this chapter. See Pre-Animation Painless Tweening in ImageReady.

Combining slices (Image Ready)

In ImageReady, you can combine two or more slices into a single slice. The resulting slice takes its dimensions and position from the rectangle created by joining the outer edges of the combined slices. If the combined slices are not adjacent or are of different proportions or alignments, the newly combined slice may overlap other slices.

Saving the sliced images in Image Ready

ImageReady also lets you save slices in a cascading style sheet rather than a table. To set up the file for cascading style sheets, choose File > Output Settings > HTML. For Slice Output, select Generate CSS, and click OK. You can also change the output settings from the Save Optimized dialog box. The Replace Files dialog box appears for the four button images you saved earlier in Photoshop. ImageReady saves the HTML table of the entire sliced image in an HTML file and saves the optimized images for all of the auto slices, user slices, layer-based slices, and rollover states inside the Images folder. The filenames of the images are based on either the names you specified for the slices or the default names and numbers of the slices. 6 Close the browser, and then close the files and exit ImageReady and Photoshop.

Using target values to set highlights and shadows (Photoshop)

Note You can do the following procedure in ImageReady in the Levels dialog box. To use target values to set highlights and shadows Move the pointer around the image, and look at the Info palette to find the lightest and darkest areas. (See Seeing the color values of pixels (Photoshop) on page 133.) You can also use the Threshold command to identify representative highlights and shadows before opening Levels or Curves. (See Using the Threshold command (Photoshop) on page 154.)

About masks (Photoshop)

Masks let you isolate and protect areas of an image as you apply color changes, filters, or other effects to the rest of the image. When you select part of an image, the area that is not selected is masked or protected from editing. You can also use masks for complex image editing such as gradually applying color or filter effects to an image. In addition, masks let you save and reuse time-consuming selections as alpha channels. (Alpha channels can be converted to selections and then used for image editing.) Because masks are stored as 8-bit grayscale channels, you can refine and edit them using the full array of painting and editing tools.

Chapter 3: The Image Editing Workflow

Stage 1 Organizing the Images 57 Organizing Original Image Files 58 Sorting Original Images 60 Organizing Edit Images 61 Archiving Files 62 Stage 2A Opening Image Files 63 Stage 2B Processing RAW Images 63 Adobe Camera RAW 64 Using Camera RAW with Multiple Images 66 Stage 3 Image Clean-Up 68 Straighten 68 Crop 69 Spot 70 Reduce Noise 73 Save the Clean Image 73 Stage 4 Perform Global Adjustments 74 Adjustments Tasks and Adjustment Tools 74 Order of Adjustments 75 Adjustment Layers 76

Figure 8.20. Use two gradients to create a split-filter effect in Photoshop.

Filter Special Effects Photoshop

Modifying Images with Photoshop's Filters Photoshop's own filters offer a wealth of special effects you can apply to your photographs. Other than the Photo Filters, they may not resemble the filter effects you can get with conventional glass or gelatin filters, but that's the whole point. Photoshop lets you go beyond the limits of both film and digital cameras to create entirely new looks. This section will explore some of the things you can do with Photoshop's own filters. The section will not cover every one of the 100+ Photoshop filters. Many of the filters, such as the Sharpen, Blur, Grain, and Lens Flare filters were covered in other chapters. Quite a few other filters, such as the Offset filter, do things that aren't particularly useful from a photographic standpoint, but which are consummately handy for other applications, such as creating seamless backgrounds for web pages. Instead, in this section we'll look at the best of the rest. I won't stick rigidly to Photoshop's filter...

Photocopier Meets Photoshop

Photocopier Photoshop

Photoshop, to many, represents perfection. But while we strive to achieve perfection, let us not overlook the beauty of imperfection. If you're an urban dweller, pay attention to what is surrounding you as you wander the streets. You'll notice photocopied flyers and posters plastered all over the place. You'd be hard pressed to find a better example of imperfect, yet beautiful, artwork. This is the art of the underground scene. Local bands and underground artists do what they can with what they have. There is an evident do-it-yourself esthetic inherent in the majority of urban poster art. Remember, just because Photoshop has an arsenal of tools that lend themselves to achieving perfection, it doesn't mean that you cannot turn the tables and create convincing imperfection. The limit to what you can achieve with Photoshop's tools and functions is dictated by your own willingness to explore less-than-obvious methods. To create tactile and distressed underground poster art effects, all...

Use Photoshop/Image Ready to Build HTML Code

If you need to quickly translate a Photoshop design into HTML code, Photoshop and ImageReady are capable of doing just that for you. However, before allowing either program to output HTML code for you, keep the following things in mind In Photoshop choose File I Save For Web. Use the Slice Select tool to select each slice, and adjust the optimization settings on the right accordingly. When you've successfully edited the optimization settings for all slices, click Save. In ImageReady choose the Optimize tab at the top of the image window. Use the Slice Select tool to select each slice, and adjust the settings in the Optimize palette. When you've successfully edited the optimization settings for all slices, choose File I Save Optimized As. HTML to update the HTML after making changes to a web design file. To accomplish the same task in Photoshop, choose File I Save For Web, click Save, and choose HTML Only as the Format.

The Photoshop Workspace

Photoshop Workspace Document Window

Photoshop's out of the box workspace consists of the following components You will probably already be familiar with the menu bar from other programs. This runs across the top of your Photoshop window, and contains various menu options for Photoshop's tools. By default, the toolbox sits to the left of your Photoshop window, and contains shortcuts to Photoshop tools. Now that you re going to be working in Photoshop, you might want to start talking like a designer. Designers, like professionals in most specialist fields, have their own terminology and words for things. A comp (short for composite) refers to a mockup of the final solution that a designer has in mind. Traditionally, comp is used in the print world to refer to page layouts, but for web designers it usually refers to a static interface prepared entirely in Photoshop for the client to look over before he or she decides to proceed. You might even hear it being used as a verb comping is the process of creating that mockup...

Configuring Photoshop

The Dialog About Photoshop

Photoshop 7 has more than 460 menu items in the main menu. Additionally it has 15 feature-rich tool palettes including the Tools palette with 60 tools plus it offers a plethora of tool presets, color swatches, actions, blend modes, and much more. Wow, you might think How am I going to learn all about all that stuff The fact is if you configure Photoshop 7 properly and you learn to use the tools that you need to use it really is possible to do all that you'd like to do, without having to learn about everything. This first technique covers all the necessary steps you should take to set up Photoshop 7 for you and what you want to do. Before you begin configuring Photoshop 7 to best fit your working style, I ought to point out that monitor screen resolution and color quality settings can be changed. If you know about these settings and you know how to use them, then skip to Step 3. Otherwise, this is a step worth carefully reading. I know many competent PC users who were not aware that...

Getting Started with Photoshop

You've heard of Photoshop, right Of course you have you wouldn't be reading this book otherwise You've probably heard of Photoshop's sidekick, ImageReady, too, but you might not be quite sure of what it does or where it fits in. Photoshop and ImageReady are two of the most commonly used tools in the web designer's arsenal. From the preparation of initial design comps to generating optimized graphics for a web page, most web designers rely heavily on these two programs. In this introductory chapter, I'll cover some of the basic tools and tasks that we'll draw on in the later chapters. I'll also share some of the shortcuts and time-savers that I use frequently. This chapter won't give you an exhaustive review of the many things that Photoshop can do (where would it end ), but it should provide the bare bones that will help get beginners started. If you're already familiar with the interface and can perform tasks like making selections, applying gradients, and working with layers, you...

Exporting Animation Files from Image Ready

Imageready Animation Effects

There are two basic ways to save your animations out of ImageReady as QuickTime movies or as animated GIF files. Of course, it helps to know going into your project what kind of animation you're creating the frames per second, pixel dimensions, color depth, etc. Exporting the animations requires testing and previewing to get the timing correct. You can do this quickly by selecting the default web browser although the color depth will be limited to an optimized 256-color palette, you will still be able to gain a sense of your final timing. Exporting a QuickTime movie file from ImageReady Exporting a QuickTime movie file from ImageReady Open the QuickTime movie file and play back the animation (see Figure 1.9). If you need to make adjustments in time or size, just go back into ImageReady and reexport when you have finished. From ImageReady, you can save frames as individual files in a sequence easily. From ImageReady, you can save frames as individual files in a sequence easily.

Photoshop CS Photo Filters

Photoshop CS has a Photo Filters effect hidden in the Image > Adjustments menu. It's primarily of use to photographers who want to apply familiar filter effects to their image, rather than use the program's color correction facilities. Or, it can be used to quickly add filter-like color for special effects. In both cases, Photoshop's Photo Filter adjustment can provide a quick fix. You can also add Wratten 80- and 82-series filters to go the other way, correcting outdoor film (or white balance settings) for incandescent illumination. The Image > Adjustments > Photo Filter dialog box looks like Figure 2.56. You can choose any of 18 different filters, or click the color patch in the dialog box and select a custom hue from Photoshop's Color Picker. You can also specify the degree of density for the filter (increasing or decreasing the effect) and direct Photoshop to change only the color, while preserving the brightness of the original image. Figure 2.57 shows an action picture...

Using Photoshop's Auto Color

Photoshop provides a tool for automatic color correction the Auto Color option is available on the Image> Adjustments menu, but this only works occasionally. Here is a more powerful way to use this tool. 4 Often, the Auto Color Correction improves the color, but still does not properly color balance the image. One step to improve this is to set the Target Color for the Midtones. By default, Photoshop tries to lock the middle tones to an exact Gray value, but sometimes these middle tones should actually be a slightly different color near gray. Click on the gray box for the Midtones Target Color, this brings up the Photoshop Color Picker.

Find and Replace Words or Characters in Photoshop

Now that more people are using Photoshop to produce larger quantities of text, it's possible to encounter a situation where you need to replace a word that appears multiple times within a single file. Suppose, for example, you created an animation in Photoshop that contained 30 type layers. Each layer contained essentially the same text, but moved the text to a different location on the screen, so when the animation was played back, it appeared to jump all over the page. What if you needed to change one of the words that happened to be located on all 30 layers Photoshop's Find And Replace Text command makes this task quick and painless. TRY IT To find and replace words or characters on a single layer in Photoshop, select the layer that contains the text in question from within the Layers palette (choose Window I Layers). Then choose Edit I Find And Replace Text. (If you're hoping to find and replace text across multiple layers, simply choose Edit I Find And Replace Text.) In either...

Photoshop CS's Filter Gallery

The last version of Photoshop CS introduced the Filter Gallery, which has been optimized in CS2. Not all filters in the Photoshop repertoire are included in the Gallery. The roughly four dozen filters that are included have a new look that's compatible with the Filter Gallery interface. You'll find them in the Artistic, Brush Strokes, Distort, Sketch, Stylize, and Texture categories. Not all the filters in those general categories are included in the Filter Gallery. For example, the Stylize category, which includes 9 different filters, is represented in the Filter Gallery only by Glowing Edges. Other filters, found in the Pixelate, Render, Blur, Sharpen, and other categories are not included and use the familiar pre-Photoshop CS dialog box. With each new release of Photoshop, expect additional filters to join the gallery. The only disadvantage to the Filter Gallery is that the first time you load it in a particular session, it can take a long time for the dialog box to appear....

Opening the UV Templates in Photoshop

The first thing we need to do is open the UV map for the part we want to texture in Photoshop. Then, as you paint the various textures, you can switch over to Max and view the updated texture. The UV and texturing portion of our work is closely related and, in our case, relies on two 1. With the UV mapped version of Hicks loaded in 3ds Max, locate the texture that you want to work on and load it into Photoshop CS2. With the texture templates loaded in Photoshop, you're ready to begin painting each of the various textures.

To free memory used by the Undo command, the History palette, or the Clipboard (Photoshop):

Important The Purge command permanently clears from memory the operation stored by the command or buffer it cannot be undone. For example, choosing Edit > Purge > Histories deletes all history states from the History palette. Use the Purge command when the amount of information held in memory is so large that Photoshop's performance is noticeably diminished.

The State of Type in Photoshop

Photoshop 5 gave us something you don't see often editable bitmapped type. Long after you created a line or two of text, you had the option of changing the words, typeface, size, leading, kerning, and so on, just as you could in other graphics and electronic publishing programs. You could also mix and match formatting attributes inside a single text block, something you couldn't do in Version 4 and earlier. In only one upgrade cycle, Photoshop made a quantum leap from grim Stone Age letter wrangling to something that might actually pass for contemporary typesetting. Photoshop 5.5 expanded your type possibilities further, adding options for underlining text, applying faux bold and italic effects, and adjusting how the program applied antialiasing and kerning to text. But all these advances pale in comparison to the bounty of text improvements in Photoshop 6. The Photoshop 6 type tool creates vector text instead of bitmapped text. That means that you can scale text as large as you want...

Colorizing Old Movies with Photoshop Layers

Once you've stabilized and rotoscoped an old movie, you may want to give it a little character and modernization by tint colorizing. Instead of perfect colorizing in fine detail, this stylized process will result in something you may have seen in the fifties or sixties with tinted black-and-white movies. This process can be done easily by creating a few layers in Photoshop and animating them in AfterEffects on top of the black-and-white QuickTime movie. Copy each frame where a car is in view to the clipboard, and paste it into a new Photoshop file of the same dimensions (Figure 7.14). Keep adding the layers, one on top of another. Figure 7.14 Locate the frames that best show the cars,and copy and paste them into a Photoshop file as layers. Figure 7.14 Locate the frames that best show the cars,and copy and paste them into a Photoshop file as layers.

Hacking Photoshop* CS2

Hacking Photoshop CS2 Trademarks Wiley, the Wiley logo, and related trade dress are trademarks or registered trademarks of John Wiley & Sons, Inc. and or its affiliates, in the United States and other countries, and may not be used without written permission. ExtremeTech and the ExtremeTech logo are trademarks of Ziff Davis Publishing Holdings, Inc. Used under license. All rights reserved. Photoshop is a registered trademark of Adobe Systems Incorporated in the United States and or other countries. All other trademarks are the property of their respective owners. Wiley Publishing, Inc., is not associated with any product or vendor mentioned in this book.

Installing Photoshop: Need to know

If you haven't yet installed Photoshop CS2 (or the Adobe Creative Suite), here are a few points to keep in mind l Install only into the default location. Photoshop is a resource-intensive program. Installing it into the default location (Applications on a Mac Program Files for Windows, as shown in Figure 1-13) ensures that it has access to the operating system and hardware as necessary. Installing into any other location or attempting to run Photoshop across a network can lead to frustrating problems and loss of work in progress. I Disable all antivirus software before installing. Antivirus software can intercept certain installation procedures, deeming them to be hazardous to your computer's health. That can lead to malfunctions, crashes, lost work, frustration, and what I like to call Computer Flying across the Room Syndrome. If you use antivirus software (and if you're on Windows, you'd better ), turn it off before installing any program, especially one as complex as Photoshop. You...

Discover Photoshop's secret weapon for retouching and photo manipulation

The History Brush seems a bit of a mysterious tool in the Photoshop toolbox for both newcomer and veteran alike, and for that reason is one that often gets overlooked. This is usually because veteran Photoshoppers have got used to the way Photoshop used to work before the advent of the History Brush and old habits die hard. Photoshop 5 onwards has two kinds of undo.There's the normal Ctrl + Z undo ( Command + Z on a Mac),which undoes and redoes the last action you performed.This can be handy to flip back and forth, checking the result of your last action.There is also History. You can step backwards in History using Ctrl + Alt + Z (that's Command + Alt + Z for Mac users). By repeatedly pressing this shortcut, you step back further and further through the history. To go forwards again press Ctrl Command + Shift + Z . Set the number of states stored in History by going to Preferences > General and entering a new number in the History States field. You can set Photoshop's maximum...

Use a Broadcast Monitor with Photoshop

When designing video graphics, it is very useful to view them on a broadcast monitor or television. Starting with Photoshop CS2, Adobe added support for video previews over FireWire. This allows you to perform essential checks for color, interlace flicker, and readability. ' Step 1. Ensure the DV device is connected and powered BEFORE launching Photoshop. You can use a camera or a Digital-to-Analog converter that supports either NTSC or PAL and the DV standard. Step 4. Set an Aspect Ratio for the monitor. If you have a widescreen monitor attached choose Widescreen (16 9), otherwise use Standard (4 3). Photoshop will automatically adjust the graphics to match the hardware attached.

Optimizing images using Photoshop or Image Ready

Adobe Photoshop and Adobe ImageReady give you an effective range of controls for compressing the file size of an image while optimizing its on-screen display quality. Compression options vary according to the file format used to save the image. In this lesson, you'll learn how to use Photoshop and ImageReady to optimize and save images in JPEG and GIF formats for distribution on the World Wide Web. You'll work with a set of images designed to be used on a fictitious Web site for a virtual zoo. Photoshop (through its Save For Web dialog box) and ImageReady (through its Optimize palette) share many of the same capabilities for optimizing images so that your files are small and efficient but still look great. For example, you can use either application to select from a wide array of file formats and settings, to suit the goals for your project. You can also use either one to compare side-by-side views of different optimized versions of a file. Using optimization features and color...

Starting Adobe Photoshop and opening files

The Adobe Photoshop and Adobe ImageReady work areas include the command menus at the top of your screen and a variety of tools and palettes for editing and adding elements to your image. You can also add commands and filters to the menus by installing third-party software known as plug-in modules. In this part of the lesson, you'll familiarize yourself with the Adobe Photoshop work area and open a file in Adobe Photoshop. Both Photoshop and ImageReady work with bitmapped, digitized images (that is, continuous-tone images that have been converted into a series of small squares, or picture elements, called pixels). In Photoshop, you can also work with vector graphics, which are shapes made up of smooth lines that retain their crispness when scaled. In ImageReady, you can create moving elements, such as animations and rollovers, for on-screen viewing. You can create original artwork in both Photoshop and ImageReady, or you can bring images into the program by scanning a photograph, a...

Why Photoshop Integration is Important for Avid Editing Systems

Avid editing systems are the most widely used option for video postproduction. They are indeed edit systems and not paint packages, however. The proper use of Adobe Photoshop is important to give Avid users access to advanced titling opportunities as well as to enable them to prepare logos and photos for import into projects. Avid recognizes this important connection and even offers an advanced course through Avid Education Centers called Creating Graphics and Mattes with Avid Media Composer and Adobe Photoshop.

Use Photoshop's Pattern Maker

Photoshop 7's Pattern Maker command makes it easy to create patterns out of any part of an image. For example, I recently wanted to fill part of a design with an abstract pattern based on the American flag. While I certainly could have tried creating this pattern by hand, Pattern Maker was able to give me a wide variety of patterns to choose from based on this theme in no time at all. TRY IT To use Pattern Maker, you first need to open an image in Photoshop on which to base your pattern. So when I wanted to create a pattern based on the American flag, I opened the following image from Photodisc (www.gettyimages.com photodisc) Click Generate to ask Photoshop to create a pattern based on the current selection in the window. The default size for patterns created by Pattern Maker is 128 by 128 pixels. You can change the size by entering different numbers in the Width and Height boxes in the Tile Generation section. Or, to create one pattern the entire width and height of the current file,...

What 1s Color in Photoshop?

Photoshop works with digital images (including digital photos, images that have been digitized with a scanner, and artwork that you create from scratch in Photoshop). The digits are the computer code used to record the image's information. The number of pixels, the color of each pixel, and any associated information are all recorded in a series of zeros and ones on your hard drive. Color, therefore, is nothing more than numbers at least as far as Photoshop is concerned. For you and me, however, color is far more than binary code on a hard drive. It's the image, the artwork, the message. The artwork is color, and color is the artwork, by pixel.

Working With The Type Tool In Photoshop

Creating text in Photoshop is quite easy to do, whether it's for artistic effect or simply to add essential information.We'll look at the various options available with the Type tool Type and text has numerous applications in Photoshop. You can create logos, web buttons, cool 3D text, even paragraphs of prose using the Type tool. In earlier versions of the program, text was a very basic affair. You created text as a selection which could be filled with a colour in a layer or applied as a layer mask to create type that knocked out part of an image, or was itself filled with an image or texture. In Photoshop 7, text has become a fully-fledged feature, and the most important aspects of this are its Type Layers. Like Adjustment Layers, Solid Fill and Gradient Layers, Type Layers are 'live'. This means that the Page 82 Older versions created text as selections. Photoshop 7 is more flexible Page 83 Type layers in Photoshop 6 and above can be edited at any time Page 82 Older versions created...

Turning Photoshop Layers into Frames

If you create an animation using different layers in Photoshop, such as a distorted or Liquified object, then there's a simple way to convert each layer into a single frame of animation. You might choose to create an animation in Photoshop because some tools and brushes are not readily available in ImageReady (Figure 1.1). After you jump from Photoshop to ImageReady, select the Make Frames From Layers option from the Animation palette menu. This will insert the background layer as Frame 1 and the subsequent layers as frames in order of layer hierarchy (see Figure 1.2). Because in most cases you won't want the background layer to be inserted as a frame in the animation, simply delete Frame 1 from the Animation palette. This will eliminate the background color texture behind the animated pieces in the example animation. Choose Select All Frames from the Animation palette menu and make the background layer visible. at normal playback speed, though it's not in full resolution. It will...

Photoshop's incredible selective Undo

Here is one major difference between Photoshop and other programs you use. Almost all programs have some form of Undo, enabling you to reverse the most recent command or action (or mistake). Like many programs, Photoshop uses the +Z Ctrl+Z shortcut for Undo Redo (but remember that you can change the shortcut, as described in Chapter 3). Photoshop also has, however, a couple of great features that let you partially undo. You can use the Photoshop History Brush to partially undo just about any filter, adjustment, or tool by painting. You select the History Brush, choose a history state (a stage in the image development) to which you want to revert, and then paint over areas of the image that you want to change back to the earlier state. You can undo as far back in the editing process as you want, with a couple of limitations The History palette (where you select the state to which you want to revert) holds only a limited number of history states. In the Photoshop PreferencesOGeneral...

What Photoshop is designed to do

Adobe Photoshop is an image editing program. It is designed to help you edit images, digital or digitized images, photographs, and otherwise. This is the core purpose of Photoshop. Over the years, Photoshop has grown and developed, adding features that supplement its basic operations. But at its heart, Photoshop is an image editor. At its most basic, Photoshop's workflow goes something like this You take a picture, you edit the picture, and you print the picture (as illustrated in Figure 1-1). Figure 1-1 Basic Photoshop take photo, edit photo, print photo. Drink coffee (optional). Figure 1-1 Basic Photoshop take photo, edit photo, print photo. Drink coffee (optional). Whether captured with a digital camera, scanned into the computer, or created from scratch in Photoshop, your artwork consists of tiny squares of color, which are picture elements called pixels. (Pixels and the nature of digital imaging are explored in depth in Chapter 2.) Photoshop is all about changing and adjusting...

Chapter 1. Photoshop and Photography from 50,000 Feet

There's no rest for the leader of the pack. Although Photoshop has been the undisputed top dog among image editors for as long as most of us have been working with digital photography, Adobe's flagship pixel pusher has not been resting on its laurels. From the moment I finished work on the first edition of this book, which dealt with Photoshop 7.0, Adobe has been enhancing the program non-stop, adding features of special interest to photographers, such as enhanced manipulation of digital camera RAW files, new filters, and improved red-eye correction tools. Many improvements have been going on behind the scenes, too, where they are less obvious until you start digging. Photoshop CS2 now can work with more than 2GB of RAM, which can be important for photographers who've loaded up their computers to deal with the 8- to 16-megapixel images that are becoming common among serious advanced digital cameras. Adobe has been gradually folding the features of its stand-alone web-oriented tool,...

Use Photoshop/Image Ready to Preview in a Browser

While Photoshop and ImageReady both do a pretty good job of showing you how an optimized image will likely display in a browser, nothing is better than going to the source. In this case, that means actually previewing your optimized images in any web browser loaded on your computer. By default, Photoshop and ImageReady set themselves up to preview in any browsers they notice during installation. However, if you have any additional browser(s) on your system, you can specify exactly which one(s) to use for previewing. In Photoshop, choose File I Save For Web and select the browser in which you want to preview the file from the Select Browser menu at the bottom of the window. In ImageReady, choose a browser from the Preview In Browser tool near the bottom of the toolbox, or choose File I Preview In and select a browser from the menu. ti Is .html < -- ImageReady Slices (ueb_headeu.jpg) -->

Photoshop CS Mastery

Photoshop CS Mastery

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