Learn Photo Editing

Learn Photo Editing

This online course gives professional advice and instructions for how to photoshop pictures for any purpose that you could need them for. If you need to retouch your portraits, this gives you the tools to edit the image so that your model is sure to be happy with the results. If you need to create cartoon characters, you can learn how to do that in a very short amount of time. You can even learn the more advanced skills, like how to make facial features stand out in the picture without having to retouch the photo. You can learn how to take your normal photos and turn them into glossy, high resolution advertisements. Whatever skills you want to learn, and whatever application your photos will be needed in, this course can give you the tools that you need in order to create the most beautiful photoshoot that you've ever done. Continue reading...

Learn Photo Editing Overview

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It is pricier than all the other ebooks out there, but it is produced by a true expert and includes a bundle of useful tools.

All the modules inside this ebook are very detailed and explanatory, there is nothing as comprehensive as this guide.

What Major Photoshop Features Import

Photoshop Layers are independently recognized by Combustion. Layers can be manipulated and modified individually or as a group. Photoshop Layers with visibility turned off will import into Combustion off and can be turned on by clicking the Layer icon in the Workspace. Photoshop Layer names are preserved on import. Photoshop Layer Blend Modes are compatible with Combustion Layer Transfer Modes and can be changed easily in Combustion. However, new (Photoshop 7) Layer Blend modes will import as Normal, these include Linear Burn, Linear Dodge, Vivid Light, Pin Light and Linear Light. Photoshop Layer Opacity imports perfectly and the full range of Opacity can be modified and animated in Combustion. The Advanced Blending Fill Opacity is not acknowledged. Photoshop Clipping Groups are imported seamlessly using Combustion's Stencil Layer option found in the Surface Controls. The Stencil Layer option is automatically set to Alpha.

# Choose Fileo SaveoFormato Photoshop.

Save your panorama in Photoshop (.psd) format before you do anything else. Be sure to include the layers by checking the Layers check box. This particular panorama is a 62-x-8.5-inch, 300ppi, 136MB image. You will need 500MB of RAM and 2GB of Scratch Disk every bit of that to manipulate this image in Photoshop.

Painting in Photoshop

The simulation of natural media is always a tricky prospect when working digitally. There are endless filters and niche applications out there that promise convincing results. However, quick fixes and prefab effects often result in disappointment. When painting digitally, the old saying, 'if you want something done right, do it yourself' comes to mind, and this is exactly what you'll learn to do in this chapter. Photoshop may not be the first application that you think of when you're setting out to paint. However, taking a closer look at what Photoshop has to offer in terms of paint tools will reveal that everything you need is there. Equally as valuable when it comes to painting, are all of the image compositing tools at your disposal. A successful painted result relies not only on actual brush strokes, but also on the way that the image is carefully constructed within Photoshop. The Brushes palette is a bottomless pit of options and flexibility when it comes to painting in...

Jumping to other applications (Image Ready)

In addition to jumping to current versions of Photoshop, you can jump to other graphics-editing applications and HTML-editing applications from within ImageReady. When you install ImageReady, Adobe graphics-editing and HTML-editing applications currently on your system are added to the Jump To submenu. You can add more applications, including non-Adobe applications, to the Jump To submenu. When you jump to a graphics-editing application, the original file is opened in the destination application. When you jump to an HTML editor, the optimized file and the HTML file are saved and opened in the destination application. If the image contains slices, all files for the full image are included. A preference enables files updated in another application to be automatically updated in ImageReady, when jumping back to ImageReady.

Controlling optimization (Image Ready)

By default, Photoshop and ImageReady automatically regenerate the optimized image when you click the Optimized, 2-Up, or 4-Up tab at the top of the document (if you have modified the image since the last optimization), when you change optimization settings with the optimized image displayed, or when you edit the original image. In ImageReady, you can turn off auto-regeneration so that the last version of the optimized image remains in the image window until you manually reoptimize the image or reactivate auto-regeneration. This feature is useful if you want to edit the image without pausing for reoptimization with each modification. You can also cancel optimization while it's in progress, and preserve the previous image.

Part IV: Power Photoshop

The two chapters in Part IV are more specialized than the rest of the book. If you don't work in a production environment (even cropping to the same dimensions regularly can count as production), you might not need to use Actions in Photoshop. But there's far more to Chapter 16 than just Actions and scripting It also shows you how you can create an onscreen presentation that anyone can view, automatically generate a single page with small thumbnail images of all your photos, and save paper by printing multiple images on a single sheet. Chapter 17 is a Web-only chapter. If you don't create graphics for the Web, you probably don't need to read it. However, if you skip it, you might never see how to create cool little animated movies.

Photoshop has several gadgets to help you work with various views of your document

The main interface in Photoshop is quite simple and well laid-out, but it has been constantly refined through development to offer highly efficient document and view management. Within the main menu is the View menu which has many view management options -the Zoom In and Out commands and their respective shortcuts, as well as commands to show the Rulers, Guides and Grids and the option to enable various kinds of snapping. As well as using the Navigator or Zoom tool you can use the shortcuts

Color Adjustments in Photoshop

Sometimes you have an image that needs some help in the color department. It might have been shot with an incorrect camera setting, it might have a color cast (an unwanted tint of a specific color), or it might just be dull and dingy. Photoshop provides you with an incredible array of commands and tools to make the colors in your images look just right. You'll hear the term color correction being tossed about, but not all images have incorrect color. Some have very good color that can be great color. Instead of color correction, I like to think in terms of color improvement. And just about every image can use a little tweaking to improve its color.

Part IV: Photoshop CS2 Image-Processing Workflows

All aspects of processing images in this book are presented in separate workflows that make up your overall image-processing activities. This part explains the workflows needed to process images in Photoshop after you've converted them in Camera Raw. Chapter 10 shows you workflows for correcting color and tone in Photoshop. Chapter 11 explains image editing as a workflow you know, removing red eye, blemishes, and miscellaneous unwanted parts of your image (use your imagination). Chapter 12 is dedicated toward preparing images for output by correctly sizing them, applying color profiles, and routing them through an efficient printing workflow.

Photoshop 7 Fundamentals

Doing more while doing it better and doing it quicker are the objectives of just about everyone using Photoshop. Photoshop is an extraordinarily powerful application with rich functionality and its complexity and versatility often work against achieving these objectives. The good news If you know all that is contained in these first six techniques, you'll be able to work efficiently and effectively, which will allow most of your mental resources to be applied to the creative use of Photoshop rather than figuring out how to get done what you want to do. Even if you are an experienced user of Photoshop, consider carefully reading these first six techniques as there are many practical tips that are invaluable to anyone interested in digital photo editing. You must become the master of your tools, or they can master you and frustration prevails This chapter is not short, but is an important one worth doing step-by-step, even for those that consider themselves to be Photoshop experts.

Loading Photos to Camera Raw and Photoshop

Some digital photographers like to load their photos into Photoshop the old-fashioned way by using the FileOOpen command in Photoshop. Many others, however, prefer the visual displays and search methods offered in Bridge. Bridge is so versatile, it can accommodate many personal preferences. To load photos into Photoshop using Bridge, follow these steps 3. Double-click the image you want to load in Photoshop or click the file, and then press Ctrl+O ( +O on a Mac). The image loads into a Photoshop image window. If you haven't already started Photoshop, it starts automatically and displays the selected image, ready to edit. There is no steadfast rule for how to browse and open images in Photoshop. It's totally up to personal preference. Play around with Bridge to find out the best way for you to browse and open images. Figure 6-11 shows another way of opening images in Bridge, which is to right-click the image thumbnail in Bridge and choose Open in Camera Raw.

Correcting Images in Photoshop as a Workflow

I've found that the more practice I got making adjustments in Camera Raw, the fewer corrections I had to make in Photoshop. Better still, accurately adjusting white balance, exposure, shadows, brightness, contrast, and color saturation in Camera Raw isn't destructive. Making those same adjustments in Photoshop can destroy valuable image data that might affect the quality of my images, especially if I print them larger than 8x10 inches. But we can still make the best of the images we have. Behold For fine-tuning images processed in Camera Raw or photos shot originally in JPEG or TIFF format (such as the one in Figure 4-10) I offer the Photoshop image-correction workflow (applause, please )

Photoshop CS2 Keyboard Shortcuts

Table A.2 represents shortcuts in Photoshop that I use frequently. I recommend becoming proficient with these to make your work go quicker. If you want to map your own shortcuts in Photoshop, click Edit, Keyboard Shortcuts, and select the command you want to remap. Table A.2 My Frequently Used Photoshop Shortcuts Action Shortcut

Getting to Know Bridge, Camera Raw, and Photoshop

Adjusting images in Photoshop CS2 emember the days (just a few years ago ) when digital photography consisted of having fun shooting photos, transferring them to your computer, and enhancing them using Photoshop The choices were simple shoot in JPEG or TIFF format. JPEG format is pretty good, but TIFF was supposed to be better (even though the resulting image files were huge). Before long, we figured out that JPEG quality was pretty close to TIFF quality for the most part, shooting images in TIFF really didn't offer much advantage.

Getting around Photoshop CS2

Getting around Photoshop can seem a little intimidating at first, but after you get used to working with menus, palettes, and the Toolbox, you'll get comfortable pretty quickly. The trick is knowing what features are available and where to find them. So, by way of a little exploration, Figure 1-16 shows the Photoshop window and these essential areas Figure 1-16 The Photoshop CS2 window.

Creating Optimized Web Pages with Image Ready

You can reap marketing benefits for your project by making an interactive gallery with rollover effects. When it comes to displaying work online, Adobe ImageReady is the tool of choice for producing optimized graphics. ImageReady is Photoshop's sister product designed to produce web graphics at screen resolution (72 pixels inch). You used ImageReady briefly in Chapter 7 and will use more of its features in this section to create optimized web pages. The process begins by cutting a sample file into slices rectangular areas that divide an overall image into parts. You'll optimize each slice and then create rollovers using the slices, adjusted layers, and layer style effects. Rollovers control the web page's behavior when a visitor finally interacts with it in a web browser.

The Photoshop Book For Digital Photographers

Tut Photoshop Book rem digital photographed tram inclusion of brief quotations in a review Photoshop is a registered trade mat k of Adobe Systems. ln< . International Srandarct Hook Number G-71S7-16-0 Library of Collarets Catalog Card Number 3flOin9fi537 07 06 0 04 0 1 7 6 S A 2 I This book is designed to provide infunnsiittn about Photoshop (ot digital photographers. Every effort has been made to nuke this book as complete and as accurate as possible, but no warranty of fitness is implied.

Scitex CT (Photoshop)

Scitex Continuous Tone (CT) format is used for high-end image processing on Scitex computers. Contact Scitex to obtain utilities for transferring files saved in Scitex CT format to a Scitex system. Scitex CT format supports CMYK, RGB, and grayscale images and does not support alpha channels.

Saving actions (Image Ready)

All actions you create are saved in the ImageReady Actions folder in the Adobe ImageReady 7.0 Settings folder. ImageReady can only access actions that reside in this folder. You add actions to ImageReady by dragging actions into the ImageReady Actions folder on your computer. Because ImageReady does not include a Load Actions command, you must add files to the ImageReady Actions folder manually. Note The default location of the Adobe ImageReady 7.0 Settings folder varies by operating system. Use your operating system's Find command to locate this folder. You can remove actions from ImageReady by dragging the actions out of the ImageReady Actions folder or by using the Delete Action command in the Actions palette menu. Actions you remove by dragging can be saved in another folder. Actions you remove by deleting are removed permanently. If you add or remove files from the ImageReady Actions palette, you can direct ImageReady to scan the Actions folder for changes and update the Actions...

The Animation Palette in Image Ready

Most common animation techniques, such as moving and blending object and text layers in a sequence, are best left for video compositing tools such as Adobe After Effects. Still, there are many animation techniques that can be done quickly and easily with ImageReady and that require very little programming or timeline editing. These techniques are covered in detail throughout this book, and references will be made to the Animation palette. The Animation palette (Figure 1.4) is the heart of creating animations in ImageReady. It's a very intuitive layout for frame-by-frame animation sequences, with advanced features such as tweening and frame generation from layers. Getting familiar with the features and buttons on the palette will help speed up your animation process. Note You can find more information about tweening in the Animation palette later in this chapter. See Pre-Animation Painless Tweening in ImageReady.

About masks (Photoshop)

Masks let you isolate and protect areas of an image as you apply color changes, filters, or other effects to the rest of the image. When you select part of an image, the area that is not selected is masked or protected from editing. You can also use masks for complex image editing such as gradually applying color or filter effects to an image. In addition, masks let you save and reuse time-consuming selections as alpha channels. (Alpha channels can be converted to selections and then used for image editing.) Because masks are stored as 8-bit grayscale channels, you can refine and edit them using the full array of painting and editing tools.

Chapter 3: The Image Editing Workflow

Stage 1 Organizing the Images 57 Organizing Original Image Files 58 Sorting Original Images 60 Organizing Edit Images 61 Archiving Files 62 Stage 2A Opening Image Files 63 Stage 2B Processing RAW Images 63 Adobe Camera RAW 64 Using Camera RAW with Multiple Images 66 Stage 3 Image Clean-Up 68 Straighten 68 Crop 69 Spot 70 Reduce Noise 73 Save the Clean Image 73 Stage 4 Perform Global Adjustments 74 Adjustments Tasks and Adjustment Tools 74 Order of Adjustments 75 Adjustment Layers 76

Figure 8.20. Use two gradients to create a split-filter effect in Photoshop.

Filter Special Effects Photoshop

Modifying Images with Photoshop's Filters Photoshop's own filters offer a wealth of special effects you can apply to your photographs. Other than the Photo Filters, they may not resemble the filter effects you can get with conventional glass or gelatin filters, but that's the whole point. Photoshop lets you go beyond the limits of both film and digital cameras to create entirely new looks. This section will explore some of the things you can do with Photoshop's own filters. The section will not cover every one of the 100+ Photoshop filters. Many of the filters, such as the Sharpen, Blur, Grain, and Lens Flare filters were covered in other chapters. Quite a few other filters, such as the Offset filter, do things that aren't particularly useful from a photographic standpoint, but which are consummately handy for other applications, such as creating seamless backgrounds for web pages. Instead, in this section we'll look at the best of the rest. I won't stick rigidly to Photoshop's filter...

Photocopier Meets Photoshop

Photocopier Photoshop

Photoshop, to many, represents perfection. But while we strive to achieve perfection, let us not overlook the beauty of imperfection. If you're an urban dweller, pay attention to what is surrounding you as you wander the streets. You'll notice photocopied flyers and posters plastered all over the place. You'd be hard pressed to find a better example of imperfect, yet beautiful, artwork. This is the art of the underground scene. Local bands and underground artists do what they can with what they have. There is an evident do-it-yourself esthetic inherent in the majority of urban poster art. Remember, just because Photoshop has an arsenal of tools that lend themselves to achieving perfection, it doesn't mean that you cannot turn the tables and create convincing imperfection. The limit to what you can achieve with Photoshop's tools and functions is dictated by your own willingness to explore less-than-obvious methods. To create tactile and distressed underground poster art effects, all...

Use Photoshop/Image Ready to Build HTML Code

If you need to quickly translate a Photoshop design into HTML code, Photoshop and ImageReady are capable of doing just that for you. However, before allowing either program to output HTML code for you, keep the following things in mind In Photoshop choose File I Save For Web. Use the Slice Select tool to select each slice, and adjust the optimization settings on the right accordingly. When you've successfully edited the optimization settings for all slices, click Save. In ImageReady choose the Optimize tab at the top of the image window. Use the Slice Select tool to select each slice, and adjust the settings in the Optimize palette. When you've successfully edited the optimization settings for all slices, choose File I Save Optimized As. HTML to update the HTML after making changes to a web design file. To accomplish the same task in Photoshop, choose File I Save For Web, click Save, and choose HTML Only as the Format.

The Photoshop Workspace

Photoshop Workspace Document Window

Photoshop's out of the box workspace consists of the following components You will probably already be familiar with the menu bar from other programs. This runs across the top of your Photoshop window, and contains various menu options for Photoshop's tools. By default, the toolbox sits to the left of your Photoshop window, and contains shortcuts to Photoshop tools. Now that you re going to be working in Photoshop, you might want to start talking like a designer. Designers, like professionals in most specialist fields, have their own terminology and words for things. A comp (short for composite) refers to a mockup of the final solution that a designer has in mind. Traditionally, comp is used in the print world to refer to page layouts, but for web designers it usually refers to a static interface prepared entirely in Photoshop for the client to look over before he or she decides to proceed. You might even hear it being used as a verb comping is the process of creating that mockup...

Configuring Photoshop

The Dialog About Photoshop

Photoshop 7 has more than 460 menu items in the main menu. Additionally it has 15 feature-rich tool palettes including the Tools palette with 60 tools plus it offers a plethora of tool presets, color swatches, actions, blend modes, and much more. Wow, you might think How am I going to learn all about all that stuff The fact is if you configure Photoshop 7 properly and you learn to use the tools that you need to use it really is possible to do all that you'd like to do, without having to learn about everything. This first technique covers all the necessary steps you should take to set up Photoshop 7 for you and what you want to do. Before you begin configuring Photoshop 7 to best fit your working style, I ought to point out that monitor screen resolution and color quality settings can be changed. If you know about these settings and you know how to use them, then skip to Step 3. Otherwise, this is a step worth carefully reading. I know many competent PC users who were not aware that...

Getting Started with Photoshop

You've heard of Photoshop, right Of course you have you wouldn't be reading this book otherwise You've probably heard of Photoshop's sidekick, ImageReady, too, but you might not be quite sure of what it does or where it fits in. Photoshop and ImageReady are two of the most commonly used tools in the web designer's arsenal. From the preparation of initial design comps to generating optimized graphics for a web page, most web designers rely heavily on these two programs. In this introductory chapter, I'll cover some of the basic tools and tasks that we'll draw on in the later chapters. I'll also share some of the shortcuts and time-savers that I use frequently. This chapter won't give you an exhaustive review of the many things that Photoshop can do (where would it end ), but it should provide the bare bones that will help get beginners started. If you're already familiar with the interface and can perform tasks like making selections, applying gradients, and working with layers, you...

Exporting Animation Files from Image Ready

Imageready Animation Effects

There are two basic ways to save your animations out of ImageReady as QuickTime movies or as animated GIF files. Of course, it helps to know going into your project what kind of animation you're creating the frames per second, pixel dimensions, color depth, etc. Exporting the animations requires testing and previewing to get the timing correct. You can do this quickly by selecting the default web browser although the color depth will be limited to an optimized 256-color palette, you will still be able to gain a sense of your final timing. Exporting a QuickTime movie file from ImageReady Exporting a QuickTime movie file from ImageReady Open the QuickTime movie file and play back the animation (see Figure 1.9). If you need to make adjustments in time or size, just go back into ImageReady and reexport when you have finished. From ImageReady, you can save frames as individual files in a sequence easily. From ImageReady, you can save frames as individual files in a sequence easily.

Photoshop CS Photo Filters

Photoshop CS has a Photo Filters effect hidden in the Image > Adjustments menu. It's primarily of use to photographers who want to apply familiar filter effects to their image, rather than use the program's color correction facilities. Or, it can be used to quickly add filter-like color for special effects. In both cases, Photoshop's Photo Filter adjustment can provide a quick fix. You can also add Wratten 80- and 82-series filters to go the other way, correcting outdoor film (or white balance settings) for incandescent illumination. The Image > Adjustments > Photo Filter dialog box looks like Figure 2.56. You can choose any of 18 different filters, or click the color patch in the dialog box and select a custom hue from Photoshop's Color Picker. You can also specify the degree of density for the filter (increasing or decreasing the effect) and direct Photoshop to change only the color, while preserving the brightness of the original image. Figure 2.57 shows an action picture...

Using Photoshop's Auto Color

Photoshop provides a tool for automatic color correction the Auto Color option is available on the Image> Adjustments menu, but this only works occasionally. Here is a more powerful way to use this tool. 4 Often, the Auto Color Correction improves the color, but still does not properly color balance the image. One step to improve this is to set the Target Color for the Midtones. By default, Photoshop tries to lock the middle tones to an exact Gray value, but sometimes these middle tones should actually be a slightly different color near gray. Click on the gray box for the Midtones Target Color, this brings up the Photoshop Color Picker.

Find and Replace Words or Characters in Photoshop

Now that more people are using Photoshop to produce larger quantities of text, it's possible to encounter a situation where you need to replace a word that appears multiple times within a single file. Suppose, for example, you created an animation in Photoshop that contained 30 type layers. Each layer contained essentially the same text, but moved the text to a different location on the screen, so when the animation was played back, it appeared to jump all over the page. What if you needed to change one of the words that happened to be located on all 30 layers Photoshop's Find And Replace Text command makes this task quick and painless. TRY IT To find and replace words or characters on a single layer in Photoshop, select the layer that contains the text in question from within the Layers palette (choose Window I Layers). Then choose Edit I Find And Replace Text. (If you're hoping to find and replace text across multiple layers, simply choose Edit I Find And Replace Text.) In either...

Photoshop CS's Filter Gallery

The last version of Photoshop CS introduced the Filter Gallery, which has been optimized in CS2. Not all filters in the Photoshop repertoire are included in the Gallery. The roughly four dozen filters that are included have a new look that's compatible with the Filter Gallery interface. You'll find them in the Artistic, Brush Strokes, Distort, Sketch, Stylize, and Texture categories. Not all the filters in those general categories are included in the Filter Gallery. For example, the Stylize category, which includes 9 different filters, is represented in the Filter Gallery only by Glowing Edges. Other filters, found in the Pixelate, Render, Blur, Sharpen, and other categories are not included and use the familiar pre-Photoshop CS dialog box. With each new release of Photoshop, expect additional filters to join the gallery. The only disadvantage to the Filter Gallery is that the first time you load it in a particular session, it can take a long time for the dialog box to appear....

Opening the UV Templates in Photoshop

The first thing we need to do is open the UV map for the part we want to texture in Photoshop. Then, as you paint the various textures, you can switch over to Max and view the updated texture. The UV and texturing portion of our work is closely related and, in our case, relies on two 1. With the UV mapped version of Hicks loaded in 3ds Max, locate the texture that you want to work on and load it into Photoshop CS2. With the texture templates loaded in Photoshop, you're ready to begin painting each of the various textures.

To free memory used by the Undo command, the History palette, or the Clipboard (Photoshop):

Important The Purge command permanently clears from memory the operation stored by the command or buffer it cannot be undone. For example, choosing Edit > Purge > Histories deletes all history states from the History palette. Use the Purge command when the amount of information held in memory is so large that Photoshop's performance is noticeably diminished.

The State of Type in Photoshop

Photoshop 5 gave us something you don't see often editable bitmapped type. Long after you created a line or two of text, you had the option of changing the words, typeface, size, leading, kerning, and so on, just as you could in other graphics and electronic publishing programs. You could also mix and match formatting attributes inside a single text block, something you couldn't do in Version 4 and earlier. In only one upgrade cycle, Photoshop made a quantum leap from grim Stone Age letter wrangling to something that might actually pass for contemporary typesetting. Photoshop 5.5 expanded your type possibilities further, adding options for underlining text, applying faux bold and italic effects, and adjusting how the program applied antialiasing and kerning to text. But all these advances pale in comparison to the bounty of text improvements in Photoshop 6. The Photoshop 6 type tool creates vector text instead of bitmapped text. That means that you can scale text as large as you want...

Colorizing Old Movies with Photoshop Layers

Once you've stabilized and rotoscoped an old movie, you may want to give it a little character and modernization by tint colorizing. Instead of perfect colorizing in fine detail, this stylized process will result in something you may have seen in the fifties or sixties with tinted black-and-white movies. This process can be done easily by creating a few layers in Photoshop and animating them in AfterEffects on top of the black-and-white QuickTime movie. Copy each frame where a car is in view to the clipboard, and paste it into a new Photoshop file of the same dimensions (Figure 7.14). Keep adding the layers, one on top of another. Figure 7.14 Locate the frames that best show the cars,and copy and paste them into a Photoshop file as layers. Figure 7.14 Locate the frames that best show the cars,and copy and paste them into a Photoshop file as layers.

Hacking Photoshop* CS2

Hacking Photoshop CS2 Trademarks Wiley, the Wiley logo, and related trade dress are trademarks or registered trademarks of John Wiley & Sons, Inc. and or its affiliates, in the United States and other countries, and may not be used without written permission. ExtremeTech and the ExtremeTech logo are trademarks of Ziff Davis Publishing Holdings, Inc. Used under license. All rights reserved. Photoshop is a registered trademark of Adobe Systems Incorporated in the United States and or other countries. All other trademarks are the property of their respective owners. Wiley Publishing, Inc., is not associated with any product or vendor mentioned in this book.

Installing Photoshop: Need to know

If you haven't yet installed Photoshop CS2 (or the Adobe Creative Suite), here are a few points to keep in mind l Install only into the default location. Photoshop is a resource-intensive program. Installing it into the default location (Applications on a Mac Program Files for Windows, as shown in Figure 1-13) ensures that it has access to the operating system and hardware as necessary. Installing into any other location or attempting to run Photoshop across a network can lead to frustrating problems and loss of work in progress. I Disable all antivirus software before installing. Antivirus software can intercept certain installation procedures, deeming them to be hazardous to your computer's health. That can lead to malfunctions, crashes, lost work, frustration, and what I like to call Computer Flying across the Room Syndrome. If you use antivirus software (and if you're on Windows, you'd better ), turn it off before installing any program, especially one as complex as Photoshop. You...

Discover Photoshop's secret weapon for retouching and photo manipulation

The History Brush seems a bit of a mysterious tool in the Photoshop toolbox for both newcomer and veteran alike, and for that reason is one that often gets overlooked. This is usually because veteran Photoshoppers have got used to the way Photoshop used to work before the advent of the History Brush and old habits die hard. Photoshop 5 onwards has two kinds of undo.There's the normal Ctrl + Z undo ( Command + Z on a Mac),which undoes and redoes the last action you performed.This can be handy to flip back and forth, checking the result of your last action.There is also History. You can step backwards in History using Ctrl + Alt + Z (that's Command + Alt + Z for Mac users). By repeatedly pressing this shortcut, you step back further and further through the history. To go forwards again press Ctrl Command + Shift + Z . Set the number of states stored in History by going to Preferences > General and entering a new number in the History States field. You can set Photoshop's maximum...

Use a Broadcast Monitor with Photoshop

When designing video graphics, it is very useful to view them on a broadcast monitor or television. Starting with Photoshop CS2, Adobe added support for video previews over FireWire. This allows you to perform essential checks for color, interlace flicker, and readability. ' Step 1. Ensure the DV device is connected and powered BEFORE launching Photoshop. You can use a camera or a Digital-to-Analog converter that supports either NTSC or PAL and the DV standard. Step 4. Set an Aspect Ratio for the monitor. If you have a widescreen monitor attached choose Widescreen (16 9), otherwise use Standard (4 3). Photoshop will automatically adjust the graphics to match the hardware attached.

Optimizing images using Photoshop or Image Ready

Adobe Photoshop and Adobe ImageReady give you an effective range of controls for compressing the file size of an image while optimizing its on-screen display quality. Compression options vary according to the file format used to save the image. In this lesson, you'll learn how to use Photoshop and ImageReady to optimize and save images in JPEG and GIF formats for distribution on the World Wide Web. You'll work with a set of images designed to be used on a fictitious Web site for a virtual zoo. Photoshop (through its Save For Web dialog box) and ImageReady (through its Optimize palette) share many of the same capabilities for optimizing images so that your files are small and efficient but still look great. For example, you can use either application to select from a wide array of file formats and settings, to suit the goals for your project. You can also use either one to compare side-by-side views of different optimized versions of a file. Using optimization features and color...

Starting Adobe Photoshop and opening files

The Adobe Photoshop and Adobe ImageReady work areas include the command menus at the top of your screen and a variety of tools and palettes for editing and adding elements to your image. You can also add commands and filters to the menus by installing third-party software known as plug-in modules. In this part of the lesson, you'll familiarize yourself with the Adobe Photoshop work area and open a file in Adobe Photoshop. Both Photoshop and ImageReady work with bitmapped, digitized images (that is, continuous-tone images that have been converted into a series of small squares, or picture elements, called pixels). In Photoshop, you can also work with vector graphics, which are shapes made up of smooth lines that retain their crispness when scaled. In ImageReady, you can create moving elements, such as animations and rollovers, for on-screen viewing. You can create original artwork in both Photoshop and ImageReady, or you can bring images into the program by scanning a photograph, a...

Why Photoshop Integration is Important for Avid Editing Systems

Avid editing systems are the most widely used option for video postproduction. They are indeed edit systems and not paint packages, however. The proper use of Adobe Photoshop is important to give Avid users access to advanced titling opportunities as well as to enable them to prepare logos and photos for import into projects. Avid recognizes this important connection and even offers an advanced course through Avid Education Centers called Creating Graphics and Mattes with Avid Media Composer and Adobe Photoshop.

Use Photoshop's Pattern Maker

Photoshop 7's Pattern Maker command makes it easy to create patterns out of any part of an image. For example, I recently wanted to fill part of a design with an abstract pattern based on the American flag. While I certainly could have tried creating this pattern by hand, Pattern Maker was able to give me a wide variety of patterns to choose from based on this theme in no time at all. TRY IT To use Pattern Maker, you first need to open an image in Photoshop on which to base your pattern. So when I wanted to create a pattern based on the American flag, I opened the following image from Photodisc (www.gettyimages.com photodisc) Click Generate to ask Photoshop to create a pattern based on the current selection in the window. The default size for patterns created by Pattern Maker is 128 by 128 pixels. You can change the size by entering different numbers in the Width and Height boxes in the Tile Generation section. Or, to create one pattern the entire width and height of the current file,...

What 1s Color in Photoshop?

Photoshop works with digital images (including digital photos, images that have been digitized with a scanner, and artwork that you create from scratch in Photoshop). The digits are the computer code used to record the image's information. The number of pixels, the color of each pixel, and any associated information are all recorded in a series of zeros and ones on your hard drive. Color, therefore, is nothing more than numbers at least as far as Photoshop is concerned. For you and me, however, color is far more than binary code on a hard drive. It's the image, the artwork, the message. The artwork is color, and color is the artwork, by pixel.

Working With The Type Tool In Photoshop

Creating text in Photoshop is quite easy to do, whether it's for artistic effect or simply to add essential information.We'll look at the various options available with the Type tool Type and text has numerous applications in Photoshop. You can create logos, web buttons, cool 3D text, even paragraphs of prose using the Type tool. In earlier versions of the program, text was a very basic affair. You created text as a selection which could be filled with a colour in a layer or applied as a layer mask to create type that knocked out part of an image, or was itself filled with an image or texture. In Photoshop 7, text has become a fully-fledged feature, and the most important aspects of this are its Type Layers. Like Adjustment Layers, Solid Fill and Gradient Layers, Type Layers are 'live'. This means that the Page 82 Older versions created text as selections. Photoshop 7 is more flexible Page 83 Type layers in Photoshop 6 and above can be edited at any time Page 82 Older versions created...

Turning Photoshop Layers into Frames

If you create an animation using different layers in Photoshop, such as a distorted or Liquified object, then there's a simple way to convert each layer into a single frame of animation. You might choose to create an animation in Photoshop because some tools and brushes are not readily available in ImageReady (Figure 1.1). After you jump from Photoshop to ImageReady, select the Make Frames From Layers option from the Animation palette menu. This will insert the background layer as Frame 1 and the subsequent layers as frames in order of layer hierarchy (see Figure 1.2). Because in most cases you won't want the background layer to be inserted as a frame in the animation, simply delete Frame 1 from the Animation palette. This will eliminate the background color texture behind the animated pieces in the example animation. Choose Select All Frames from the Animation palette menu and make the background layer visible. at normal playback speed, though it's not in full resolution. It will...

Photoshop's incredible selective Undo

Here is one major difference between Photoshop and other programs you use. Almost all programs have some form of Undo, enabling you to reverse the most recent command or action (or mistake). Like many programs, Photoshop uses the +Z Ctrl+Z shortcut for Undo Redo (but remember that you can change the shortcut, as described in Chapter 3). Photoshop also has, however, a couple of great features that let you partially undo. You can use the Photoshop History Brush to partially undo just about any filter, adjustment, or tool by painting. You select the History Brush, choose a history state (a stage in the image development) to which you want to revert, and then paint over areas of the image that you want to change back to the earlier state. You can undo as far back in the editing process as you want, with a couple of limitations The History palette (where you select the state to which you want to revert) holds only a limited number of history states. In the Photoshop PreferencesOGeneral...

What Photoshop is designed to do

Adobe Photoshop is an image editing program. It is designed to help you edit images, digital or digitized images, photographs, and otherwise. This is the core purpose of Photoshop. Over the years, Photoshop has grown and developed, adding features that supplement its basic operations. But at its heart, Photoshop is an image editor. At its most basic, Photoshop's workflow goes something like this You take a picture, you edit the picture, and you print the picture (as illustrated in Figure 1-1). Figure 1-1 Basic Photoshop take photo, edit photo, print photo. Drink coffee (optional). Figure 1-1 Basic Photoshop take photo, edit photo, print photo. Drink coffee (optional). Whether captured with a digital camera, scanned into the computer, or created from scratch in Photoshop, your artwork consists of tiny squares of color, which are picture elements called pixels. (Pixels and the nature of digital imaging are explored in depth in Chapter 2.) Photoshop is all about changing and adjusting...

Chapter 1. Photoshop and Photography from 50,000 Feet

There's no rest for the leader of the pack. Although Photoshop has been the undisputed top dog among image editors for as long as most of us have been working with digital photography, Adobe's flagship pixel pusher has not been resting on its laurels. From the moment I finished work on the first edition of this book, which dealt with Photoshop 7.0, Adobe has been enhancing the program non-stop, adding features of special interest to photographers, such as enhanced manipulation of digital camera RAW files, new filters, and improved red-eye correction tools. Many improvements have been going on behind the scenes, too, where they are less obvious until you start digging. Photoshop CS2 now can work with more than 2GB of RAM, which can be important for photographers who've loaded up their computers to deal with the 8- to 16-megapixel images that are becoming common among serious advanced digital cameras. Adobe has been gradually folding the features of its stand-alone web-oriented tool,...

Use Photoshop/Image Ready to Preview in a Browser

While Photoshop and ImageReady both do a pretty good job of showing you how an optimized image will likely display in a browser, nothing is better than going to the source. In this case, that means actually previewing your optimized images in any web browser loaded on your computer. By default, Photoshop and ImageReady set themselves up to preview in any browsers they notice during installation. However, if you have any additional browser(s) on your system, you can specify exactly which one(s) to use for previewing. In Photoshop, choose File I Save For Web and select the browser in which you want to preview the file from the Select Browser menu at the bottom of the window. In ImageReady, choose a browser from the Preview In Browser tool near the bottom of the toolbox, or choose File I Preview In and select a browser from the menu. ti Is .html < -- ImageReady Slices (ueb_headeu.jpg) -->

Modifying layer effects with contours (Photoshop)

You can use contours to shape the appearance of an effect over a given range in the Drop Shadow, Inner Shadow, Inner Glow, Outer Glow, Bevel and Emboss, and Satin effects when creating custom layer styles. For example, a Linear contour on a Drop Shadow causes the opacity to drop off in a linear transition while a Custom contour can be used to create a unique shadow transition. Custom contours created in Photoshop can be used in ImageReady. You can select, reset, delete, or change the preview of contours in the contour pop-up palette and Preset Manager. For more information, see Using pop-up palettes on page 31 and Managing libraries with the Preset Manager (Photoshop) on page 54.

To save a file in TIFF format (Photoshop):

Byte Order Photoshop and most recent applications can read files using either byte order. However, if you don't know what kind of program the file may be opened in, select the platform on which the file will be read. Save Image Pyramid Preserves multiresolution information. Photoshop does not provide options for opening multiresolution files the image opens at the highest resolution within the file. However, Adobe InDesign and some image servers provide support for opening multiresolution formats. Save Transparency Preserves transparency as an additional alpha channel when the file is opened in another application. (Transparency is always preserved when the file is reopened in Photoshop or ImageReady.) Layer Compression Specifies a method for compressing data for pixels in layers (as opposed to composite data). Many applications cannot read layer data and will skip over it when opening a TIFF file. Photoshop, however, can read layer data in TIFF files. Although files that include...

Rotoscoping Techniques with Photoshop

Rotoscoping is the process of animating, compositing, or editing individual frames of a video or film. Before computers were used in special effects, films were projected onto special animation stands, called rotoscopes, where animated characters could be traced or drawn to match the footage step-by-step. This process is now completed digitally, using software that can manipulate layers on each frame to be modified, such as After Effects and Photoshop. Roto Sequences Getting In and Out Blue-Screen Matte Rotoscoping Stabilizing and Rotoscoping Old Movies Colorizing Old Movies with Photoshop Layers

Selection Tools In Photoshop

Making selections is the core of Photoshop's way of working.There are a variety of tools you can use for the purpose, so let's take a look at how to get the most out of them In earlier versions of Photoshop there was no Select tool - one that looked like a traditional arrow cursor, that you would use to select 'objects'. Because Photoshop dealt primarily with pixels, it made no sense to have a Select tool - there were no 'objects' to select. Instead, the selection tools were default tools - ones you used automatically, to begin editing. In Photoshop 7.0 there is an arrow tool for selecting objects, since the introduction of vector shapes (those drawn using a series of points or 'vectors') made this necessary. Despite this, the selection tools, in their many and varied forms, are still the main tools for doing 90 of the tasks in Photoshop. Selections are an essential part of understanding Photoshop's methods and central to the way the program works - making a selection then performing...

Transforming perspective while cropping (Photoshop)

The crop tool in Photoshop has an additional option that allows you to transform the perspective in an image. This is very useful when working with images that contain keystone distortion. Keystone distortion occurs when an object is photographed from an angle rather than from a straight-on view. For example, if you take a picture of a a tall building from ground level, the edges of the building appear closer at the top than they do at the bottom.

Introduction to Adobe Photoshop CS2

Welcome to Adobe Photoshop CS2 Revealed. This book offers creative projects, concise instructions, and complete coverage of basic to advanced Photoshop skills, helping you create dynamic Photoshop art Use this book as you learn Photoshop, and then use it later as your own reference guide. This text is organized into 16 chapters plus additional online bonus content. In these chapters, you will learn many skills including how to work with layers, make selections, adjust color techniques, use paint tools, work with filters, transform type, liquify an image, annotate and automate a Photoshop document, and create Photoshop images for the Web The online appendices provide additional coverage on Adobe Bridge and offer extra practice in creating eye-catching projects and effects. The online content is available for downloading from www.course.com Revealed photoshopcs2.

Working with image maps (Image Ready)

An image map is an image that contains multiple hypertext links to other files on the Web. Different areas, or hotspots, of the image map link to different files. Adobe ImageReady creates client-side image maps and server-side image maps. Creating image maps is one of the functions that you must do in Adobe ImageReady. You can use Photoshop to create slices, which share certain functionality with image maps, but you cannot create image maps with Photoshop. Creating and viewing image maps (ImageReady) -From Adobe Photoshop 7.0 online Help

Annotating images (Photoshop)

You can attach note annotations (notes) and audio annotations to an image in Photoshop. This is useful for associating review comments, production notes, or other information with the image. Because Photoshop annotations are compatible with Adobe Acrobat, you can use them to exchange information with Acrobat users as well as Photoshop users. To circulate a Photoshop document for review in Acrobat, save the document in Portable Document Format (PDF) and ask reviewers to use Acrobat to add notes or audio annotations. Then import the annotations into Photoshop. Notes and audio annotations appear as small nonprintable icons on the image. They are associated with a location on the image rather than with a layer. You can hide and show annotations, open notes to view or edit their contents, and play audio annotations. You can also add audio annotations to actions, and set them to play during an action or during a pause in an action. (See Setting playback options (Photoshop) on page 490.)

Slicing an image in Photoshop

Adobe Photoshop lets you define slices using the slice tool or by converting layers into slices. You'll begin the lesson by slicing parts of a banner image for buttons using the slice tool in Photoshop. You'll name the slices and link them to URL addresses, and then optimize the slices. Then you'll continue slicing the banner image in ImageReady and create rollovers for the button slices. About designing Web pages with Photoshop and ImageReady When designing Web pages using Adobe Photoshop and Adobe ImageReady, keep in mind the tools and features that are available in each application. Photoshop provides tools for creating and manipulating static images for use on the Web. You can divide an image into slices, add links and HTML text, optimize the slices, and save the image as a Web page. ImageReady provides many of the same image-editing tools as Photoshop. In addition, it includes tools and palettes for advanced Web processing and creating dynamic Web images such as animations and...

Identifying out-of-gamut colors (Photoshop)

The gamut is the range of colors that a color system can display or print. A color that can be displayed in RGB or HSB models may be out-of-gamut, and therefore unprintable, for your CMYK setting. (See Color gamuts (Photoshop) on page 91.) Photoshop automatically brings all colors into gamut when you convert an image to CMYK. But you might want to identify the out-of-gamut colors in an image or correct them manually before converting to CMYK.

Photoshopffor Comics Master Course PDuk.

Photoshop for Comics Master Course First Edition Photoshop for Comics Master Course published by Radio Comix, PMB 117 San Antonio, TX 78216. All contents are copyright 2003 Pat Duke. Adobe Photoshop is a registered trademark of Adobe Systems Incorporated. All brand names and product names used in this book are trademarks, registered trademarks or trade names of their respective holders. Nothing from this book may be reproduced without the express written consent of Radio Comix, except for purposes of review or promotion. FIRST EDITION. FIRST PRINTING. August 2003. Printed in the USA.

Chapter 2. Camera and Lens Effects in Photoshop

Fortunately, you don't actually need a dozen lenses, a bag full of filters, or enough light sources to illuminate the Statue of Liberty to take great pictures. Many of you probably get along very well with nothing more than the zoom lens or electronic flash built into your camera. But whether you're a photo gadget freak or a photo gadget phobe, Photoshop has some tools you'll find extremely useful. Built into your favorite image editor are capabilities that let you duplicate many camera and lighting effects. Simulating traditional photographic techniques in Photoshop is useful for several reasons. First, even if you own every lens or piece of gear known to civilization you may not always have your prized gadget with you when you need it. For example, I've traveled to Europe carrying just one camera body, a 35mm and a 105mm lens. More recently, I've gone on trips with a digital camera, its built-in zoom lens, and a stack of memory cards as my sole still photography equipment. It's also...

Adding spot colors (Photoshop)

If you are planning to print an image with spot colors, you need to create spot channels to store the colors. To export spot channels, save the file in DCS 2.0 format or PDF. (See Saving files in Photoshop EPS format (Photoshop) on page 448.) Note ImageReady supports Photoshop spot color channels as alpha channels. About spot colors

Discovering Photoshop's Painting Tools

Nothing in Photoshop gives you more precise control of color in your image than using the Pencil tool with a 1-pixel brush. Remember that your image consists of a whole lot of little colored squares (pixels) and that the color of those individual squares is what produces the appearance of a tree or a sunset or even good ol' Uncle Bob. If you zoom in really close on an image, you can paint pixel by pixel you could even create an entire image, one pixel at a time As you work in Photoshop, however, you'll find many very important roles for the brush-using tools other than creating imagery. From touching up dust and scratches in a scan to removing distant power lines from a photo to perhaps adding wispy hairs to soften the outline of a head, you have lots of reasons to paint in Photoshop (many of which you can read about in Chapters 9 and 10). When you're capable and confident using the Brush tool, you might even find it the best way to make selections in your image. Selections with the...

To display file information in the document window (Photoshop):

Illustration of file information view options in Photoshop Document Size to display information on the amount of data in the image. The number on the left represents the printing size of the image approximately the size of the saved, flattened file in Adobe Photoshop format. The number on the right indicates the file's approximate size including layers and channels.

Use Photoshop Mockups as Tracing Images When Building Pages in GoLive

If you designed a detailed mockup in Photoshop containing significant portions that are not comprised of graphics, such as the one that includes form elements or large areas of text, it can be particularly useful to have a copy of that mockup in sight when building the code for the web page. GoLive has a feature that not only allows you to have that mockup in sight while you're building the code but also gives you the opportunity to cut out portions of that mockup and optimize them as web graphics without having to open Photoshop. TRY IT To use a Photoshop file as a tracing image when building a web page layout in GoLive, open the file you want to work with in GoLive or choose File I New Page to create a new web page layout. Then, select Window I Tracing Image to display the Tracing Image palette. TRY IT To cut out an element from the tracing image and optimize it as a web graphic on the web page, select the Cut Out tool (shaped like Photoshop's Crop tool) in the Tracing Image palette...

3 Basic Photo Corrections

Adobe Photoshop and Adobe ImageReady include a variety of tools and commands for improving the quality of a photographic image. This lesson steps you through the process of acquiring, resizing, and retouching a photo intended for a print layout. The same workflow applies to Web images. Apply the Unsharp Mask filter to finish the photo-retouching process. Save an Adobe Photoshop file in a format that can be used by a page-layout program. This lesson will take about 45 minutes to complete. The lesson is designed to be done in Adobe Photoshop, but information on using similar functionality in Adobe ImageReady is included where appropriate. If needed, remove the previous lesson folder from your hard drive, and copy the Lesson03 folder onto it. As you work on this lesson, you'll overwrite the start file. If you need to restore the start files, copy them from the Adobe Photoshop 7.0 Classroom in a Book CD.

Using Photoshop's Auto Corrections

Adjusting the tonality of your image can be as simple as selecting one of the Auto commands from Photoshop's ImageOAdjustments menu. With many photos, the tonality (and even the color) jump to just the right look for your image. No muss, no fuss just a great-looking picture with a single command. Sometimes you need (or simply want) more control than offered by the Auto commands. You might have a more demanding problem or a more expansive artistic vision. You might need to make major corrections or create stupendous effects. Photoshop, not surprisingly, offers that sort of control over your image. In fact (and also not surprisingly), you have several ways at your disposal to manipulate the tonality of your images. Two of the most commonly used are Levels and Curves, both found in your ImageOAdjustments menu. Before I introduce you to those two commands, let me quickly explain and dismiss a couple of other available options. Since the early days of Photoshop, the Brightness Contrast...

Now let's look at how useful Gradients can be when working creatively in Photoshop

There are technical explanations for each of the Blending modes in your Photoshop Manual or online guide. It's worth going through these to understand exactly what's going on. E Gradients are great for those working with digital or scanned photographic images in Photoshop.We can use gradients in place of traditional photographic filters to create some cool effects.Here's the original unfiltered image.

Slicing the image in Image Ready

You've already learned several ways to create and work with slices in Photoshop, all of which can also be done in ImageReady. Although the options sometimes appear in different locations in the two applications, you can also use either Photoshop or ImageReady to create slices from guides or layers and to optimize individual slices. In this part of the lesson, you'll use ImageReady to convert a layer into a slice, create a No Image slice, and create a precisely shaped slice from a selection. Later in the lesson, you'll work with the Rollovers palette a feature unique to ImageReady to build interactivity into your images. You'll start by jumping directly from Photoshop to ImageReady. When you use the Jump To feature to go back and forth between Photoshop and ImageReady, the currently active file also jumps with you, opening in the target application. 1 In the Photoshop toolbox, click the Jump to ImageReady button ,). The 15Start.psd file opens in ImageReady. Notice that the ImageReady...

Jump to Image Ready for Animation and Rollovers

While Photoshop is certainly capable of optimizing static web graphics, it is not suited for animation or rollover effects. Therefore, to optimize animated GIFs or save the different states for your rollovers, you'll need to switch over to ImageReady. TRY IT If you already have a web design open in Photoshop that you want to use for animation or rollover effects in ImageReady, choose File I Jump To I Adobe ImageReady 7.0. Your computer will launch ImageReady (if it wasn't already open) and open another copy of the file in that program.

^Rasterize EPS Files Created in Other Programs in Photoshop

Photoshop will open most documents with the .eps extension. However, not all layers and vector art will appear as they did in the program with which the EPS was created. For example, Adobe Illustrator and Photoshop are quite compatible programs a lot of the shared features do actually cross over from program to program. You can copy and paste from program to program but layers will not be maintained. If you open an EPS file in Photoshop, the program rasterizes it, regardless of whether it was created in Illustrator or any other program. In other words, it converts all the information to pixels and not vectors. This is helpful, for instance, if you create a graphic in a vector-based drawing program and you want to incorporate it into an image you are creating in Photoshop. Another great use of this technique is in referencing an actual page layout (from a program like Illustrator) in a Photoshop design. Screen captures, although extremely helpful, capture information at a resolution...

To save a file in Photoshop EPS format:

1 Save the artwork, and choose Photoshop EPS from the Format menu. (See Saving files on page 446.) Binary produces a smaller file and leaves the original data intact. Choose Binary encoding if you're printing from a Mac OS system. However, some page-layout applications and some commercial print spooling and network printing software may not support binary Photoshop EPS files.

Optimizing slices in Photoshop

You can use Photoshop slices to optimize individual areas of the image, which is useful when some areas of the image require greater resolution or settings than the rest of the image. You optimize one or more slices by selecting them in the Save For Web dialog box, choosing optimization settings, and saving optimized files for either the selected slices or all slices. Photoshop creates an Images folder to contain the optimized files. Photoshop saves the optimized images in an Images folder within the Architech Pages folder and uses the names you specified in the Slice Options dialog box for the filenames. If there are any gaps in the table, Photoshop creates a Spacer.gif file.

Spell-Check Photoshop Text

Long awaited by Photoshop fans is the ability to spell-check text right within Photoshop. You can use the Check Spelling command to have Photoshop compare the words used in your document to those in its internal dictionary. When a word in your document is not found in Photoshop's dictionary, the program prompts you to change or ignore the misspelling, or add it to the dictionary, as shown in Figure 7-5. TRY u Before you can spell-check your document, you need to make sure the correct language is specified in the Character palette, so Photoshop knows which dictionary to use. Choose Window I Character to display the Character palette, and select the appropriate language from the menu at the bottom. The default is English USA.

Choosing basic optimization settings in Image Ready

Earlier in this lesson, you used Photoshop optimization settings that were integrated into the Save For Web dialog box. In ImageReady, the same options appear in the Optimize palette. 1 In ImageReady, choose File > Open, and open the file 14Start2.psd from the Lessons Lesson14 folder. This image was created in Adobe Illustrator, and then rasterized into Photoshop format. The image contains many areas of solid color. One of the ways to reduce image file size is to reduce the number of colors in the image. Photoshop can calculate the most needed colors for you, based on any of several available algorithms. You specify which algorithm is used by making a selection from the Color Reduction Algorithm menu, which includes the following options -From Adobe Photoshop 7.0 online Help

Why Photoshop Integration is Important for Adobe Production Studio

Adobe's Photoshop is an application that changed the way we all think about image editing. Adobe Premiere was one of the first software-based video editing applications on the scene. It's only natural that they would be designed to work hand-in-hand. Converting and processing still images and graphics and creating graphic elements and masks for compositing will always be a critical part of creating video programs. Whether you're creating a video for deployment on tape, CD-ROM, or DVD, Photoshop is a critical accessory for high quality video production with Adobe Premiere. Adobe After Effects relies heavily upon integration with Adobe Photoshop. This integration is explored through several of this book's tutorials. Encore DVD uses Photoshop as the basis of its menu systems.

To save a file in Photoshop DCS format:

1 Save the artwork, and choose Photoshop DCS 1.0, or Photoshop DCS 2.0 from the Format menu. (See Saving files on page 446.) The dialog box includes all the options available for Photoshop EPS files. For more information, see Saving files in Photoshop EPS format (Photoshop) on page 448. Additionally, the DCS menu gives you the option of creating a 72-ppi composite file that can be placed in a page layout application or used to proof the image

Become part of the Creative Photoshop community

Your exploration into the artistic side of working with Photoshop does not end with this book. Visit the Creative Photoshop website and explore the user forum. Share knowledge with, and ask questions of other readers. Be sure to post your finished images within the user forum for everyone else to see. Submit the works you've created by following the chapters here, or post your own work, showcasing your new creative Photoshop skills. Join the Creative Photoshop community at www.creativephotoshopthebook.com

Praise for Jeff Foster's After Effects and Photoshop

Choosing to write a book about either Adobe Photoshop or Adobe After Effects poses quite a challenge. Taking on the task of writing a book that covers both multiplies that challenge, but also offers a unique perspective into the creative possibilities these applications have not only individually, but in tandem. For anyone who uses both applications, this is a must-read. With the book you hold in your hands, Jeff Foster has created the one indispensble, and definitive, production guide to two of the world's greatest symbiotic tools After Effects and Photoshop. One has to be an expert in Photoshop to really make After Effects fly, the two programs being joined at their very core. And one also needs a professional understanding of traditional cinematic and animation timing and effects as well as directing material in 3D space to fully take advantage of the capabilities of Adobe's most powerful siblings. Jeff has this expertise in spades, and he combines his many years of professional...

Painting with a state or snapshot of an image (Photoshop)

The history brush tool works similarly to the clone stamp tool, but on any state or snapshot of the image, not just the current one. (See Cloning and repairing images on page 188.) In Photoshop, you can also paint with the art history brush to create special effects. (See Using the art history brush tool (Photoshop) on page 226.)

Applying Photoshop color settings

In this section, I explain how to specify each setting in the Photoshop Color Settings window. This is one of the most overlooked steps in color management and it makes a huge difference when used properly. Additionally, I explain when and how to assign a color profile to an image. If most of your work involves preparing images for the Web, for printing, or for publishing, each of those tasks will need a different monitor setting. The first step after calibrating your monitor (which I show you how to do in the later section, Getting Calibrated) is to set up your default color settings in Photoshop. Here's how Change the Photoshop default for the RGB working space to Adobe RGB (1998), as shown in Figure 3-5. Adobe RGB (1998) is the best working space for photographers, providing the widest color gamut for color saturation. Make sure to leave the CMYK, Gray, and Spot selections set at the defaults. For most of your image editing, use Adobe RGB (1998) to edit your master images. If you...

Preview a Browser Tile in Photoshop

When you create your own background tiles in Photoshop, it's nice to be able to preview how they'll display when tiled by the browser in a web page. Luckily, you can do so by saving it as a pattern in Photoshop. TRY IT To preview a browser tile in Photoshop, follow these steps 1. Launch Photoshop and use the File Open command to open your background tile if it isn't already open.

Brushes offer some of Photoshop's most flexible features. So where can you find them?

The Brush tool can be found in the fourth row of Photoshop's toolbar. When selected, the options bar displays quite a few settings for the current Brush such as Opacity, Flow and whether it is in Airbrush mode or not. There are also pulldown menus for the Apply mode, Brush Shape preset and the new Brush Editing palette.

Chapter 8. Using Photoshop CS's Filters

For a long time, Photoshop's use of filters remained quite stagnant, with few new filters added from release to release. Indeed, many of the best filters in the Photoshop arsenal dated back to Adobe's acquisition of Aldus Corporation, and its three Gallery Effects packages almost a decade ago. These 36 filters were eventually folded into Photoshop itself, and there were only a few minor additions to Photoshop's default array for many years. Now, Adobe has started to move forward again with interesting and effective filters. An increasing number of plug-ins are joining the Filter Gallery, which lets you preview and choose from among most of the filters that have their own sliders or other controls. Recent releases of Photoshop gave us new capabilities with filters like Fibers, Extract, Liquify, and Pattern Maker. Photoshop CS2 has added six brand new filters discussed elsewhere in this book, including Box Blur, Shape Blur, and Surface Blur Lens Correction Reduce Noise and Smart...

Using the Automate commands (Photoshop)

The Automate commands simplify complex tasks by combining them into one or more dialog boxes. Photoshop includes the following commands (third-party companies may provide additional commands) Multi-Page PDF to PSD converts each page of a PDF document you select to a separate Photoshop file. (See Opening and importing PDF files on page 74.) Web Photo Gallery generates a Web site from a set of images complete with a thumbnails index page, individual JPEG image pages, and navigable links. (See Creating Web photo galleries (Photoshop) on page 390.)

Photoshop operations timing

If you select Timing, the preview box tells how long Photoshop took to perform the last operation (including background tasks, such as transferring an image to the system Clipboard). Adobe may have added this option to help testing facilities run their Photoshop tests. But built-in timing helps you as well.

Welcome to Photoshop!

What Photoshop does very well, kind of well, and just sort of, well . . . Taking a look at what you need to know to work with Photoshop J dobe Photoshop is, without question, the leading image editing program in the world. Photoshop has even become somewhat of a cultural icon. It's not uncommon to hear Photoshop used as a verb (That picture is obviously Photoshopped ), and you'll even see references to Photoshop in the daily comics and cartoon strips. And now you're part of this whole gigantic phenomenon called Photoshop. You might have purchased Photoshop as a new full version, as an upgrade, or as part of the Adobe Creative Suite. The Creative Suite (that's where the CS comes from) comes in two versions. The Standard Edition includes Photoshop, Adobe Illustrator (for creating vector-based artwork), and Adobe InDesign (for page layout work). The Premium Edition also includes Adobe GoLive (for Web design) and Adobe Acrobat (to create PDF documents). Whether you're new to Photoshop,...

Creating temporary masks in Quick Mask mode (Photoshop)

Quick Mask mode lets you edit any selection as a mask without using the Channels palette and while viewing your image. The advantage of editing your selection as a mask is that you can use almost any Photoshop tool or filter to modify the mask. For example, if you create a rectangular selection with the marquee tool, you can enter Quick Mask mode and use the paintbrush to extend or contract the selection, or you can use a filter to distort the edges of the selection. You can also use selection tools, because the quick mask is not a selection.

Filters: The Fun Side of Photoshop

7he Photoshop CS2 Filter menu includes over 100 commands that you can use to fix, flatter, finesse, and freak out your photos. You can use most of the filters on most of your artwork and some of the filters on some of your artwork, and you probably won't ever use a number of the filters. tures in all of Photoshop the Filter Gallery and Liquify. Not only are they fun, but you can use them to do wondrous things to your artwork. I wrap up the chapter with a look at several other key filters.

Creating a custom workspace in Image Ready

To prepare for your ImageReady work with slices and rollovers, you'll streamline the work area by closing the palettes you won't need for these tasks and then resizing and arranging the ones you do need. By removing the clutter of unneeded palettes, you maximize your efficiency for these types of tasks. You'll save this arrangement as a custom workspace that you can reuse later. You can now select the Rollovers_15 workspace on the Window > Workspace menu whenever you need to use it, such as if your ImageReady session is interrupted before you finish this lesson. Note The custom workspaces you create and save for either ImageReady or Photoshop are not lost when you reset the default preferences for the application.

Selecting an image map type (Image Ready)

ImageReady can create client-side and server-side image maps. In client-side image maps, the links are interpreted by the browser itself. In server-side image maps, the links are interpreted by the server. Because client-side image maps don't need to contact the server to function, they are often significantly faster to navigate. By default, ImageReady saves image maps as client-side image maps. You select an image map type in the Output Settings dialog box. (See Setting HTML output options on page 442.) If you select a server-side image map, ImageReady generates a separate map file based on the server option you select. However, you'll need to update the path to the map file in your HTML file.

Specifying 8-bit color display (Photoshop)

When you're working with a display system that supports 8-bit color, the monitor displays only 256 different colors at a time. As a result, Adobe Photoshop uses a technique called dithering to mix pixels of available colors and thus simulate colors not currently available. By default, Adobe Photoshop uses pattern dithering, which can result in a distinctive pattern of darker or lighter areas in the image. In contrast, diffusion dithering eliminates this distinctive patterning by using the surrounding pixels in the mix of pixel color. But diffusion dithering can cause visual inconsistencies when only part of a screen is redrawn as you scroll, edit, or paint. Keep in mind that dithering effects only appear on-screen, not in print.

When Good Programs Go Bad: Fixing Photoshop

Tools don't work right. Simple commands take ages to execute. Photoshop (gasp ) crashes Don't give up, and please don't toss the machine through the window. (Hey, I might be walking past at the time.) Start with the easy fixes and work your way up as necessary. l Check the palettes and selection. If a tool isn't working as expected or is not working at all, check whether you're inadvertently preventing it from doing its job. See whether you have an active selection elsewhere in the image or press +D Ctrl+D to deselect. Look at the Layers palette Are you on the correct layer Is the layer itself active or a layer mask Check the Channels palette Are the color channels active At the left end of the Options bar, right-click (multibutton mouse) or Control-click (single-button mouse) the tool icon and select Reset Tool. Open another image a flattened 8-bit RGB image and try the tool or technique in that image. (If it works there, the problem isn't...

Why Photoshop Integration is Important for Sony Vegas

At some point, the Vegas user may need the services of an image editing application, and Adobe Photoshop is the natural choice. With Photoshop, you can create a title graphic, tweak an alpha mask, re-touch a still image, or convert a vector graphic to a raster graphic for a Vegas project.

Comparing Photoshop Elements and Photoshop

If you're interested in purchasing an external digital-imaging application, I highly recommend either Photoshop Elements or Photoshop, depending on your needs and budget. Trust me I'm not being paid to endorse these products. It's just that if you use either of these Adobe products you'll have the benefit of seamless integration with Album. You can purchase Elements for about 90. Photoshop will set you back a hefty 600 or so. (Ouch.) If you're not sure whether you want to make the investment, download a 30-day, fully-functioning trial version of either program from www.adobe.com.

Creating animations in Adobe Image Ready

In Adobe ImageReady, you create animation from a single image using animated GIF files. An animated GIF is a sequence of images, or frames. Each frame varies slightly from the preceding frame, creating the illusion of movement when the frames are viewed in quick succession. You can create animation in several ways By opening a multilayer Adobe Photoshop or Adobe Illustrator file for an animation, with each layer becoming a frame. When creating an animation sequence, it's best to remain in Original image view this saves ImageReady from having to reoptimize the image as you edit the frame contents. Animation files are output as either GIF files or QuickTime movies. You cannot create a JPEG or PNG animation. Working with layers is an essential part of creating animations in ImageReady. Placing each element of an animation on its own layer enables you to change the position and appearance of the element across a series of frames. Global changes Some changes affect every frame in which the...

Color gamuts (Photoshop)

Among the color models used in Photoshop, L*a*b has the largest gamut, encompassing all colors in the RGB and CMYK gamuts. Typically, RGB gamuts contain the subset of these colors that can be viewed on a computer or television monitor (which emits red, green, and blue light). Therefore, some colors, such as pure cyan or pure yellow, can't be displayed accurately on a monitor. CMYK gamuts are smaller, consisting only of colors that can be printed using process-color inks. When colors that cannot be printed are displayed on-screen, they are referred to as out-of-gamut colors that is, outside a CMYK gamut. (See Identifying out-of-gamut colors (Photoshop) on page 136.)

Learn Photoshop Now

Learn Photoshop Now

This first volume will guide you through the basics of Photoshop. Well start at the beginning and slowly be working our way through to the more advanced stuff but dont worry its all aimed at the total newbie.

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